Glenstone Museum Reviews

So beautiful, interesting, and free. I wish the indoor exhibits would change more often and that there would be a place for coffee. The docents are smart and knowledgeable. Easy to park.

Wonderful and interesting art space. We went on a rainy day and it added to the mystique. Great visit!

I very much enjoyed Glenstone, which is a combination art museum and landscape park. I had to plan ahead a few months to procure tickets, but it was worth it. The collection is excellent, and the landscapes are marvelous. I certainly plan to return.

I will be the naysayer among the reviews. I did not enjoy my Glenstone experience. The grounds are absolutely beautiful, as are the large sculptures on display, but I am not a fan of the architectual style of the museum and the owner's home. In addition, the view of the museum shown on Glenstone's website--its best side--can't be seen upon approach; the entrance, save the Serra sculpture, is unappealingly at one end of the building. I like a lot of modern architecture, but was unimpressed with these buildings. The real problem for me, though, was the particular exhibit we saw this past weekend (8/23). I found it pretentious, affected, and lacking beauty or visual interest. The seven galleries comprising the museum all contained the works of two artists, Peter Fischli and David Weiss--that was six galleries too many in my opinion. My quick take is that Glenstone is definitely worth seeing--at least some of the 1% are giving back--but before going, do a little research about the current exhibition. It will make for a more pleasurable experience.

If you have the time, appreciate contemporary art and architecture and want a beautiful drive along the C&O Canal out of DC, this is a nice way to spend a half day or more. The outdoor large scale sculpture are interesting, but I was surprised the "museum" held only the work by one sculptor. It's a nice relaxing experience after the thousands of objects one sees at the various museums in DC.

Get your admittance ticket online. Museum is located far from public transport so if going make a day of it. It takes about 4 hours to appreciate the whole museum so don't sign up for a 3 pm admit. Go on a nice day only as many parts of the place can only be appreciated from the out doors. No cell service inside the museum. I am giving this museum a three stars instead of five because it is so far away and they don't tell you a three o'clock time slot is not long enough to see everything. Like for example room 5 which is one of the cooler exhibits is only open for an hour in the morning and an hour in the afternoon. That one only allows three people in at a time. While it is worth the wait it does impact what one can see if they come in late in the day. The general buildings are pretty cool and the staff was very nice. Get a coffee in the cafe and just chill for a few minutes. They don't have enough items for more than one visit.

This museum is a real gem so, if you are an art lover, this should be on your bucket list. Because of the required advance reservation, crowds are carefully controlled. You don't have dozens of people craning their necks to see the same painting. As we walked along the Woodland Trail, we encountered only one other couple looking at the sculptures (and we were part of a bus group)!
Grey-clad docents are everywhere and they are very knowledgeable and very willing to answer questions and share information.
I recommend going in good weather and wearing comfortable walking shoes. Though the Pavilions are enclosed, the outside pieces (especially Split-Rocker) shouldn't be missed.
Finally, please note that the museum shop does not resemble a traditional gift shop. The offerings are limited to some postcards and books about the artists (This is not a criticism, however).

This is a fabulous new contemporary art
Museum nestled in the pricey suburb of Potomac Md. Tickets are free and available on line, but tough to come by as they "sell out" quickly, and visitors are limited. The grounds are beautiful. Visitors approach the arrival hall where they are welcomed and given directions to the Pavilions. These are the heart of the museum, interconnected rooms, each dedicated to a single or multiple artists, surrounding a beautiful water court. Highlights are works by Brice Marden and Cy Twombly, and in Pavilion 5, an incredible piece, Collapse, by land artist Michael Heizer (entry from 12-1 and 3-4 only). In Pavilion 2, there's an astonishing collection by luminaries of the modern art world including Basquiat, Calder, deKooning, Johns, Kline, Pollack, Rothko, Stella and Warhol. Be sure to search out the docents, who are especially helpful and friendly. You'll recognize them by their "uniforms" of gray tunics and black Nikes! It's worth spending some time exploring the grounds and viewing the large sculptures by Tony Smith and Jeff Koons (a particularly wonderful flowered topiary). Stylish food offerings are available at 2 cafes and provide a nice break. The visit involves considerable walking, so be prepared. Umbrellas are provided. Also, be aware that purses and bags must be put in lockers, sort of a pain, so avoid bringing them if you can.

We had read several articles about this world class museum founded by a wealthy couple, dedicated to modern art and we were eager to visit. There is no admission fee, but you have to reserve tickets three months in advance. The tickets give you a time to arrive. The campus is large, with walking paths and outdoor sculptures. Since it was still cold, we were not able to really walk the grounds, so a return trip may be in order. The founders wanted to present art in an uncluttered and crowd free way, and they have succeeded beautifully. As their brochure says, their goal has been to integrate art, the landscape and architecture. There was a special exhibit of the works of Louise Bourgeois, a French woman who married an American and lived the majority of her life in NYC. Her work uses different medium, and is sometimes serious and sometimes more whimsical. There were many artists I had never heard of, with rooms devoted to only a handful of hangings. Each room had a docent, often a young art school grad who could tell you a little bit about the artwork. Their outfits were awful.....gray frocks that made them blend into the building, but maybe that was the point. A visit can easily be combined with a stay in D.C. Potomac is an easy forty minute drive away.

Loved this place. The grounds are natural, not fancy landscaping. The museum was so cool and I loved talking with the staff in each room. They made the experience even better! We had drinks and a snack at the Patio. Yes, it was expensive, but it was delicious. And, entrance to the 300 acre museum and grounds is free. Too bad the pavilion is closed now for renovation. We will be back. Great way to spend the late morning!

In Potomac Maryland there is an offer you can’t refuse. It’s Glenstone, a generous gift of a private museum that is situated in large park, beautifully landscaped with unique art installations scattered through it. The buildings that are tucked into the landscape are all designed in the same material and style so that the total effect is uninterrupted conformity. Without the spectacular natural setting, it might seem austere, but I think it was the mandate given to the architects. The result is that every aspect of this integration between art and nature is beautifully rendered with exceptional design and costly detail.
The museum on site has assembled an eclectic selection of art from the private collection of Emily and Mitchell Rales. It’s displayed among a series of rooms that often feel either too big or too small. The aesthetic that determines how everything is presented at Glenstone has a downside. The ultra-simple graphic design concept for signage is confusing and finding all eleven numbered rooms in sequence, some with puzzling videos and dark interiors, is a challenge. I noticed it particularly when I was looking for the identity of an artist and finding the information, nearly hidden, on a small corner of a wall as I exited the room.
On the ground floor of the museum there are huge, horizontal windows, invisible to the eye, that look onto spectacular landscapes. They were especially made for Glenstone in Germany. The coating is done with a special process that allows one to experience the view outside as if by magic. You can see it in the woodwork detail as well. It’s typical of the quality that is evident in the big things as well as the small. Also, on the lower level, is a large, infinity lotus pool that calmly mirrors the changing skies and vegetation in real time. In the warm weather it makes a colorful carpet of blooms.
You can see that weather is an important factor when you visit Glenstone. You’ll need to use a crystal ball when you book your date and time weeks ahead. Also, I advise you to go to the Glenstone website and read the rules and regulations. They are quite specific. There is also a nice cafe on site with an organic menu. Nothing at Glenstone is left to chance.

Glenstone is a private museum with a wonderful setting. You need to make an appointment on their web site; weekends may require reservations a month or two in advance. Their current exhibition is of the string and wire sculptures of Fred Sandbeck in a specially lit space. I strongly recommend prioritizing the outdoor tour, particularly the Andy Goldsworthy houses and the Richard Serra metalworks. All tours are escorted by friendly staff with art history backgrounds. Definitely a major treat, particularly on a day with good weather, but you'll need to plan in advance. A major expansion is underway with completion scheduled for 2017; this should substantially improve museum space and visitor capacity.

Glenstone is a national treasure. We spent a few hours here this weekend, and it was a delight. Fans should note that another 100,000 square feet of gallery space and a restaurant are well under construction, and we will be back. I've seen Serra's work in numerous other locations, but Contour 290 is breathtakingly beautiful. I have never seen a Serra more perfectly integrated with its surroundings: it replicates the contour of the land as well as Hogarth's serpentine line of beauty. The property itself is gorgeous, and we want to witness it in fall and winter and spring as well. Best of all, it is free. Just make on-line reservations in advance.

Hard to believe this is a free museum, only requires an appointment to visit. This is to limit visitors at one time. Works well, you feel you are a special guest. Beautiful estate, amazing outdoor sculptures, Richard Serra, Jeff Koons, Tony Smith. Private museum, with only one artist exhibited at a time. Knowledgeable docents to guide you. A wonderful setting, a pleasure to be there.
Have made many return visits.

While I am not a true modern art fan, I can honestly say the museum is well thought out. The docents are helpful and pleasant. This is not a place of you can not walk long distances. A wonderful way to spend a few hours.

The museum sits on 230 acres in the Potomac area. The museums buildings are beautifully designed to complement the surrounding landscape. It offers 59,000 square feet of exhibition space. By limiting the number of visitors per day it allows lots of time to contemplate the art without the hassle of crowds.

Although Trip Advisor said this museum was open on Saturday from 10:00 - 17:00, when we arrived it was closed for a facelift 29 Aug 15. Not open until 2nd week of September.

This museum really impressed me with their beautifully landscaped grounds, large and varied contemporary art collection and the space designed to house it. The building itself is its own work of art and the attention to every little detail is striking. It’s free to get in but reservations in advance are requested. Parking is free as well. We were only in town for the day so they were quite willing to help us get in because of prior cancellations. The docents were very knowledgeable and eager to help with explanations or questions. We had a light bite in the cafe but I didn’t care for the salad and my partner said his sandwich was just OK. Truly a memorable afternoon that I hope you will add to your bucket list.

I live a stones throw away from Glenstone and for years, I have been intrigued by the construction of this "compound" and all the security measures that are in place. Needless to say, "Google" comes in handy and reading up on Mitchell and Emily Rales, their 200 acre estate and its conversion over the years in none-other than the zip code of 20854 sparked a much needed visit on a lovely Sunday afternoon in mid summer.

The Rales clearly have a love for modern and contemporary art and though not necessarily my cup of tea, I cannot help but appreciate their love and passion for it and clear hospitality and philanthropic approach to sharing their home and investment to the public.

Prior reviews of this facility are far too harsh, "A museum without Art and "Probably not worth your time and substandard artwork" in that a one star rating and hostility toward the lack of artwork or appreciation for specific artists is somewhat a parochial view, however, do your due diligence prior to going so that what artists are claimed to be on exhibition to the public are indeed available, make sure the weather is favorable and simply enjoy!

This one of the best private collections of the modern art era! Beautifully staged (Thomas Phifer and Partners) in a well conceived and expertly crafted series of volumes connected by a walkway that focuses your attention to beautiful, calming, lily pond between viewing art works in each of the spaces. There are other art works scattered around the property that should also be viewed during your stay.

This Museum is free, however, you must either secure an entrance pass (rare as hen's teeth) OR,You can Take the bus... This is a don't miss! "Please know we cannot guarantee entry for those without advance reservations, with the exception of Montgomery County Ride On riders." Ride On Bus Route 301, leaves from the Rockville metro station

One Saturday we were looking for something different to do. The weather was nice, yet hiking didn’t inspire us. We googled “nearby museums” and were amazed to find this great hidden gem.

Located off the beaten road, we pulled into what looked like a state park. Acres of trees and fields... we parked and walked over to the welcome center, paid a reasonable entry fee and were directed to a oath and pointed to our first stop.

The walk to the first part of the museum is fabulous. We could have spent the day wandering the grounds!!! Beautiful on the cool January sunlight.

We entered the museum and placed our bags on a free locker. You wander at your leisure and guides are available thorough out. Unfortunately there is very little reading and working with a guide is required... not great for Deaf and Hearing Impaired. I had to interpret for my friend . Not accessible to Deaf.

Exhibits amazing and very unique. You simply have e to experience them. Words do not do them justice.

We recommend this museum. And we hope they will provide ASL accessibility or at a minimum a booklet for self guide tour.

Knowledgeable engaging guides. Wonderful experience. Can't wait for the completion of the expansion.

A fun experience for all interested in the arts. The museum is a work in progress and is being enlarged at present to house more of the owner's personal modern art collection and share it with others. It also provides a lovely mile-long walk around the property with sculpture to enjoy. A suburban treat in beautiful surroundings. Recommend it highly!

Such a disappointment. I usually take more photos of views from inside, than the art hanging on the walls. There was the most interesting railing down the main staircase. An exquisite bench in the reading room (which looked out on the landscape.) No photos allowed. A docent incorrectly told me I could purchase a book in the gift shop that would have photos. I was informed that will be published sometime next year. We visit world-class museums & now most allow photos as long as you don't use flash. Glenstone needs to change their policy.

The curated fields, woods and streams contrast starkly with the prison like feel of the galleries. Wait a few years to visit and let the newly planted landscape settle.

I had been looking forward to visiting this museum since it re-opened. I waited for the first of the month to get tickets as instructed and was not able to get any until the afternoon (they went fast). Little did we know that all you have to do is take the public transportation bus and no tickets are required (we were the only ones on the bus who had tickets). The space was very impersonal and cold ... the docents are not allowed to tell you anything about the art (only answer specific questions) and there is very little signage. I felt like the total absence of information (phone reception was poor too) took away from the overall experience. No photography was allowed indoors and everything had to be placed in lockers before you could enter.
When we did the outdoor exhibits, multiple trails were closed but were not marked as closed, so we almost missed our bus trying to find our way back.. The whole experience felt very pretentious and we wouldn't have used a day to do this if we had known what our experience would be.

Glenstone is created and guided by the vision of the founders. There is an extensive collection contemporary art, as well as architecture. The grounds are beautiful. There is no admission fee but timed tickets are issued online. We appreciated the fact that they limit the number of visitors at a time as it allows plenty of space to view the works without crowding. Be prepared for lots of walking and be sure to read the rules on the website before going! An enjoyable day.

Glenstone provides opportunity to view modern artworks of the highest quality in exquisitely designed galleries surrounded by brilliantly-designed landscape. A bit off the beaten path for Washington, DC tourists, Glenstone is a brief drive outside the beltway, north of Potomac.

We’ve visited three times in the past year, so we’ve seen many items in the collection and, somehow, I never get tired of watching Pipilotti Rist’s “Ever Is Over All.” But, since most artworks are displayed under natural light, you often get a slightly different perspective depending of the time of day, or the weather outside. This is particularly true of Roni Horn’s “Water Double,” and Michael Heizer’s “Collapse.” Needless to say, the changes on the outside sculptures can be striking. We were amazed by the different experience it is to walk inside Richard Serra’s “Sylvester” after many visits on overcast days. Often, however, our visit is triggered by our desire to see the evolving landscape. We’ve even taken a tour of the Environmental Center, and we were surprised by the change in meadows in the six weeks between our early-May and mid-June visits!

Now, Glenstone is even more accessible. The surest way to get in is still with the free ticket reservations you can get via the Glenstone website. Tickets are be released on the first of every month for the next 3 months. But, tickets are limited and often run out quickly. If that’s the case, you can explore two alternatives:

1) You’re not assured entry, but if you arrive without a reservation mid-day or later Glenstone will make every effort to accommodate you, space-permitting. We chanced it on a gorgeous mid-June Thursday and got in with no problem. Of course, for us Glenstone is just 20-minutes by car, and the drive past bucolic suburban neighborhoods in Maryland’s former fox-hunting territory is always enjoyable.

2) Another alternative has greater chances of success but requires a little planning. Ride On passengers are guaranteed entry to Glenstone with no reservation required, but you have to get on the 301-route Ride On bus either at Tobytown Drive or Travilah Rd and Glen Road. You can get more details by going to the “Getting Here” tab in the Glenstone webpage.

If you’re not sure, call the museum. Folks there are very pleasant and

I have lived in the Mid-Atlantic for many years and am a regular museum-goer, so I was surprised to discover that there was such a hidden gem lurking so close to home -- and that I was completely unaware of. First, logistics: Glenstone prevents overcrowding by requiring online timed reservations; very simple, but you do have to show the reservation when you arrive. On the other hand, the museum does not charge for the reservation or the visit. The museum is tucked away in the countryside outside Potomac and has an understated presence on the street; it's best to use the nav! Next, the collection: For the moment, there is a single but quite wonderful building that features just one indoor exhibit at a time; the current show of Louise Bourgeois is fascinating; it includes a much wider array of her than I have ever seen. There are also some fabulous large-scale outdoor sculptures scattered around the beautifully landscaped property; you can view them on your own or join one of the hourly walking tours to hear more about them. There are tons of friendly, helpful, and knowledgeable young people inside and out who are happy to talk with you about the artworks. Finally, change is on the way: a new and much larger building is scheduled to open in October, with lots more space for exhibits plus a cafe. Go and enjoy!

This is a private museum open to the public with reservations. They are in the process of building an additional museum that will house more of the owner's modern art. Worth a visit.

I was excited to finally get tickets to see this museum after many months of trying. It was a huge disappointment. Cold and pretentious. Not at all warm or welcoming. Felt like we were intruding. The art was mediocre. The grounds are beautiful, and in fact, I came to resent that access to such beautiful grounds was restricted to so few people merely because of a dozen or so dubious art pieces. My advice: toss out the art and turn this into a park. Then you'll have something worth visiting. I won't be going back even though I live in the same zip code.

Glenstone is a place that combines and successful integrates art, architecture, and landscape into a unique and inspiring environment. I visited Glenstone before the expansion and thought it was outstanding. We just returned from a visit to expanded Glenstone and I don't have the words to describe the beauty and inspiration of Glenstone. It is a MUST see. The good news is Glenstone has free admission. However, reservations are required in order to make the experience meaningful without crowds. Please see the web site, glenstone.org for the details.

Admission is free but advance reservation is required. Gorgeous design and major modern art pieces. Be prepared to walk. Outdoor and indoor experience.

Glenstone is a treasure. The restaurant is not. Yes, I honestly expected fresh, tasty food. I haven't eaten in the outdoor cafe, but the restaurant serves overpriced, mediocre food. Be prepared to pay almost $45.00 for an average sized sandwich, an iced tea and a tiny piece of cake. The bread was not fresh, the roast beef was fatty, chewy and nothing special. The fries, were...fries. At least they weren't covered with Old Bay spice. The cake, a 2"x3" rectangle, was factory made. This place could be a gem, instead it's not even semi-precious. It's paste.

Beautiful architecture. Lovely grounds…350 acres. The contemporary art is out there. Cafe, indoor/ outdoor patio for lunch. Many restrooms. We took Metro to Rockville and then an Uber.

The 1st picture is of the very tight security guard rejecting the presence of our 3 well behaved, well chaperoned young granddaughters. (So two of our four adults had to leave too.) Very few exceptions are made at this place, and I believe they would have been fine walking the interesting grounds, even if not allowed into the building; a trip in
side which only took us a half hour even slowly. We did bring a stroller in case the younger would've balked walking. But no go.
Other than that, the staff is notable, knowledgable and upbeat; even in the presence of overblown questionable art. The current minimalist exhibit is more linear, sometimes 3D perspective, than visual art. I guess perhaps that's become the contemporary taste. The grounds sculptures and material used to create it held much more interest for me. The weather the day after Thanksgiving couldn't have been better, making that part of the experience 5 star.

The outdoor sculptures are interesting and the buildings are neat. The docents are really good. But the current exhibits can be really underwhelming given the wealth of the collection. eg right now it's a bunch stretched yarn.... booooooring. So check in advance. The new building under construction should allow more art to be on display.

This museum houses a world class collection. The grounds are spectacular with beautiful sculpture. It is appointment only so while there it is an intimate experience.

thoughtfully curated experience, not just art in a building. remarkable guides who remain silent yet open full of dialogue about art if you talk with them, no snobbishness, not "guards" in the sense of making you feel excluded. sprawling grounds full of winding paths around sculpture, densely planted trees, and clean concrete/stone/metal buildings. delicious food at the cafe.

Friendly staff.. Outstanding set up as you walk on well manicured path to explore art in sleek buildings that house fabulous exhibits.

Been to many museums. Only one that is not only free but does not seek donations.

Thank you to whoever is responsible for a great museum

Must make reservations months in advance. Very interesting exhibits and a great outdoor experience as part of the museum.

Visiting on a weekday in the hot summer we did have advance tickets but when we arrived they were letting everyone in even without tickets. The brutally hot, humid weather was a factor for the low attendance. Wonderful outdoor space with greenery, trees, flowers, shrubbery everywhere. Long outdoor path circles the whole property which I was told is a mile r=around. Paths also going off in other directions. Paved, stone, gravel and boardwalk paths are easy to walk on. There are some uphills with stone steps to climb if you want to go to the cafes. The below ground musuem had multiple galleries but not much artwork. But it was pleasant and cool after walking the outdoor paths in the brutal heat. They do offer white umbrellas to help shade you from the sun. And if they are not busy you can call and they will pick you up in a cart to bring you to your destination.

It was amazing. We went with a family, which could be complicated if you think about age difference. It was magical. All the guides were incredible.
The place is a must go in DC. Just relax and enjoy.

We visited the museum today only to find one artist's work in the whole museum.
The show of Roni Horn could easily fit in one room of the museum and has a very limited appeal to me. I have seen similar pieces before and found the show repetitive and boring. I was unimpressed with the museum security, which does not allow the smallest bag into the museum and requires only group tours to walk the grounds. The museum is free, but I would have to be paid to go there again.

The setting, art were fantastic. Most of the attendants were enthusiastic and enjoyed sharing their knowledge, adding to teh experience.

Not clear why we had to take a bus to be able to be admitted without reservation. There were plenty of parking spaces.

Beautiful site. Strange employees dressed like nuns. Involves lots of walking. Very very contemporary.

Great outdoor experience with interesting sculptures. The interior art work is minimal and the artists work shown during my visit was boring and uninspiring. This place could be SO much better! Even though the food was good, I have no desire to go back.

My friend and I were both online this morning well before the 10:00 am monthly dispatch of tickets for Glenstone, this time for April. On our screens, at the appointed hour, we were not able to access April, so we had no chance to even compete. By the time we could see April, three minutes later, all the tickets were of course, gone. This was much like trying to get tickets in the early days to Hamilton, when bots prevented ordinary humans from accessing tickets. Or perhaps only insiders are given first access to Glenstone. It looks like a wonderful place to visit but I don't see that happening anytime soon.

A modern/contemporary art museum set in the rolling hills outside of D.C. There are 11 indoor galleries, which from the outside look like a series of polished granite monoliths sticking out from the grassy hills. It struck us as unnerving, a feeling which was increased when we entered the severe, spare lobby/entrance area. Just not quite at human scale. The galleries are built around a landscaped pond. Again, to us the impression felt inorganic. The galleries themselves are impressive, generally with each gallery dedicated to a single artist. They had a 100-year retrospective of Ellsworth Kelly, which was unbelievable, as well as many other late 20th century/early 21st century artists. Outside, there are several monumental sculptures set among the hills. They largely did better integrating in their environment than the gallery buildings. Highly unusual overall, but worth a visit for sure!

This musium has no art. It looks like tomb from outside. There are scarcely displayed arts pieces with twisted mind and unhealthy mentality.

Because of the travel restrictions during the pandemic, a visit to Glenstone felt like the perfect getaway for a mini-vacation. Although it's in a Maryland suburb outside of DC, you will find yourself in a different world with natural and cultural opportunities to explore. Keep in mind that it is a museum of modern art so the work can be challenging, pretentious, precious, thought-provoking, beautiful, and amazing. To highlight the art and only the art, everything else, from the parking lot layout, the architecture, the signage, the guides' outfit, etc. have been reduced to its minimalist function. The guides, all dressed in grey like David Byrne's band in American Utopia, are the invaluable supporting cast. Their role goes beyond delivering Wikipedia monologue; they engage us in dialogues, asking for our observations and reactions. I am surprised that Trip Advisor's allotted time for Glenstone is only 1-2 hours; it took us 5 hours to explore the Pavillions and the serpentine Woodland Trail that looped us through many outdoor installations. We would have been there longer if the Gallery and the Environmental Center weren't closed. We took a lunch break at the outdoor Patio cafe, which brings up the only ding about Glenstone: the food was pretty blah and overpriced too; perhaps the kitchen wasn't fully functional because of the Covid restrictions. The staff throughout Glenstone is superb with the precautionary measures against covid. Thank you!  My PSA: remember that entry tickets are limited and need to be reserved in advance. They are released in 3-month increments starting at 10 AM on the 1st of the month. If you're lucky enough to get them but had to cancel, please let the museum know so others could enjoy Glenstone. Enjoy!

This place is beautiful! Put some hours aside to come and enjoy the unique pieces of art! I love how you can be inside and outside...theres art in the woods...there's nice little "trails". Overall its a peaceful serene place and the employees are very knowledgeable. I drove 50 mins to visit and it was so worth it.

This was an incredible experience. If you like minimalist architecture, natural landscaping, and modern art, this is your place. I only learned of this treasure recently, and the limited free tickets go fast. My husband and I took a chance and drove out there, and we lucked out and got in! There are two places to get food on-site, and lots to see. You will forget where in the world you are! What a special place. I'm already planning our next visit.

The outdoor sculptures are magnificent, especially the Koons. The galleries are interconnected underground. Be prepared to do some walking, and be sure to check out the web site and make reservations.

The grounds are beautiful. The staff is so friendly, knowledgeable, and helpful. There are benches all along the paths for those who can’t walk long periods as well as call buttons to request a golf cart for transportation. I personally enjoyed the outdoor sculptures more than the indoor art. (Only 1 building open May 30th 2024, when I was there. The other was under renovation.). But still lots of magnificent art indoors. Most definitely worth a visit.

Tucked away in Potomac, MD, Glenstone exhibits the private collection of its founding couple. They have exquisite taste and, what’s more, they seem fully committed to excellence in every aspect of displaying the works to best advantage and helping visitors encounter it under the best possible circumstances. For instance, the exhibits come without many signs; but docents in every exhibit room are always right at hand eager to talk about the artists and the works. This often transforms the visitor’s experience and appreciation. For instance, we were transfixed by a work that initially looked like two large “mushrooms” of concrete about four feet high and 3 1/2 feet in diameter, but turned out to be made of solid glass cylinders that looked as though they were filled with water. Utterly beguiling.

All the staff were friendly, courteous, and eager to do whatever they could to enhance our stay. The vast grounds are filled with a number of attractive gallery buildings, an outdoor cafe, and trails through some beautiful grounds.

You will never visit another museum as unique as Glenstone...ever. Well done. The experience stays with you long after leaving.

The outer facade of the large home and museum promises a good visit. But once you view the outdoor sculptures and the inside of the museum you really have to wonder why you went there. The tour guides were knowledgeable but the exhibits were uninspiring. An example was a small structure with a door which opened and revealed only an unfired clay ball. The point was lost on us completely. This is not a destination I can recommend and this is inspite of the fact we enjoy all periods of art including avant garde.

The museum itself is breathtaking and beautiful. The cafe was so slow and finally we left.. poorly staffed.. poorly run

The rolling hills of Potomac are home to a 200 plus acre modern art treasure. There are installations of art in the hillsides and along paths. There are many pavilions with internal art installations. The works range from the extremely serious to the very funny. An extremely powerful statement is made by the fact that entrance is free. It requires a timed ticket but is fully accessible. Wonderful tour guides are available throughout. A lovely cafe is on the premises also. I was particularly taken with Pipilotti Rist's video, Ever is Over All.

Even if post WWII modern art is not your favorite genre this unique (free) museum deserves a visit. The buildings are very unusual, bleak in a way, everything minimal and sleek and leaving plenty of space for you and the art. DO ask the (strangely uniformed) guards/docents lot of guestions - best way to experience the unique pieces. DONT think you’ll get it all done in one day without fatigue. DO get a timed ticket online as they limit the flow of bodies to, again, give you optimum space with the exhibits. DONT miss this. Restaurant on site, free parking, beautiful drive. Art lovers will enjoy.

We went there on a hot day with a temperature of nearly 100℉, and we really enjoyed it. We were able to rent parasols for free, and there was a parasol storage area at a key point in the museum, so it was very convenient for us to return them and borrow them again.
There are indoor and outdoor exhibits. Both are free, but require an advance Reservation. If you walk in circles and take your time, it will be a one-day course. The outdoor exhibition features interesting and well-preserved art in a vast field. There are curators in charge of each art section, and they are all very knowledgeable. They are easy to understand and eager to explain, so please talk to them!
If you find it hard to walk, they have a choice to put you on a cart.
It was a pleasant surprise to see a lot of works by Yayoi Kusama, who is a hot topic in the museum, created before she attracted so much attention, as well as a lot of Japanese art.

The cafeteria is a green, glass-walled, woody building, and everything I ordered was delicious, elegant and enjoyable. I also saw that they were hiring workers of various races, and I felt a spirit of determination.

If you have time, please go. I recommend it.

Although you must arrange to get tickets (timed), albeit, they are free, then once there there are guidelines to guide you through your visit, I highly recommend this place. It seems if every newspaper had an article about Glenstone, so the demand for tickets is very high right now. Prior to the re-opening it appears like Glenstone wasn't on many people's minds.
The grounds are beautifully landscaped. The buildings have great vantage points for the landscape. You can easily spend 1/2 day there between the gardens, art and cafe. There are docent's who are involved in a art training program and are extremely knowledgeable. You also can go on a few tours through the grounds and get into the off-limits locations.
We loved this place and will be back soon.

A lot of walking to see a bunch of modern art. If that's your thing, worth the effort to either make reservations in advance or park up the street and take metro ride on to the museum.

Certainly a nice afternoon if the weather is nice, but can't compare to the museums in downtown DC.

Glenstone is a private museum and outdoor sculpture garden in Potomac Maryland which is open to the public by reservation.
It is in a magnificent setting created by its owner and currently has a very exciting outdoor sculpture garden and a very beautifully built enclosed building. That building contained a traveling exhibition by one artist—Louise Bourgeois. One has to either like her work or be open to some arresting images especially the “sculpture”.
No large black spiders however which are best known works.
Seeing the sculpture and the grounds is an excellent experience. Bourgeois is an experience which some will enjoy and others not. It might not be a good experience for children as they might find it disturbing.
There is new much larger building opening in the fall.

Visited Glenstone in summer. Lots of walking involved so would suggest cooler months. Also disability services, while advertised, were impossible to locate. The art is excellent but a bit more interpretation would assist the viewer.

What a wonderful respite in the country to walk about the acreage and enjoy the art. Beautiful buildings with great exhibition space. A marvelous collection of post WWII contemporary art. Plan on 3-4 hours, plenty of parking. Limited number of tickets each hour makes for time to reflect with alone times. Nice cafe with limited - but fresh - offerings. free with online booking.

The reviews of Glenstone (pro and con) pretty much tell the story of this fantastic gift to Washington. We were able to get a reservation the same day, so try your luck. It is quite a hike uphill from the Arrival Center to the Pavillion and cafe. We were given umbrellas to shade us from the sun. We checked and were told that cart transport is available for the handicapped. Two pleasant surprises: the staff in the galleries and the visitors. Although there is no written commentary (noted that some visitors complained it wasn't handed out to them on the proverbial silver platter), staff is friendly and eager to help you through the artworks. One staff member approached us as we rested on a bench and spent ten minutes with helpful info and advice. Tip: use their services; ask questions. The visitors were also a pleasant surprise. Quiet. Interested. Looked at the art and architecture, didn't concentrate on photographing it. Helped that young childrsn are banned so that gallery personnel don't have to spend all their time yelling "Don't touch it!" In fact, gallery guards at the National Gallery and the odious student guards at the Phillips Collection could take a lesson from Glenstone's genial staff. The cafe. Beautiful setting. Three long communal tables. Menu posted on wall. Food good. Service attentive and cheerful. Credit cards only. No bill is presented. Server tells you what you owe. Warning: I asked to see the charges and discover they add a service charge to the bill. A bit sneaky. All in all. A fantastic e!perience. And it's free!

Our second trip. Glenstone is a remarkable place for reasons many others have already listed. COVID-19 precautions are carefully explained and upheld. The modern art at Glenstone is absolutely remarkable considering this is a private collection. The grounds are beautifully maintained and as carefully curated as the artworks. The docents are friendly, knowledgeable, and on the hot Sunday afternoon that we visited, made us feel comfortable. All of the elements of a perfect museum outing are here: terrific art, careful displays which never get in the way of the art, lighting perfection, and as many interesting things outdoors as indoors, which made this visit wonderful. For a few hours, Glenstone made me feel normal again.

For modern art lovers, this museum is complete gem. Dozens of priceless works of modern and postmodern art, in a highly structured, lavish but minimalist environment. Beautiful water garden in the main building. Also, acres of gorgeous grounds meticulously created and maintained down to the last tree, ridge, and shrub. A billionaire's little project that you get to visit for free!

Very limited admission is designed to limit crowding and allow a very personal experience with the work. (If you were disappointed by the mob at the Louvre's Mona Lisa, this is the exact opposite.)

You are sternly warned not to touch the art work, but other than that there are almost no ropes, glass cases, or other impediments to completely immersing yourself with the art. Children under 12 are not allowed at all -- for the safety of the art and for a serene experience.

There is nothing in writing to explain any of the exhibits, aside from artist, title and year. Instead an expert human guide is available in each room to help you interpret the art (if desired). Some people may find this great; others off-putting. If you don't have much prior exposure to modern art, it may make sense to research some of the artists before hand and/or warm up with visits to the National Gallery of Art and the Hirshorn.

Although you can choose to see whatever you want and in whatever order you want, the museum's layout and rules mean that planning your route and visit is a good idea if you want to see everything. It took us 6 hours at a leisurely pace to see all of the indoor and outdoor exhibits, including breaks for lunch and coffee.

Tickets are free but must be reserved months in advance online. If you don't have a morning ticket, you probably won't be able to see everything. Cafes are only open from 11-4:00 (and no outside food or beverages). Two of the outdoor exhibits are only open from noon-4. Also, Michael Heizer's "Collapse" -- at the main building -- is only available to three visitors at a time, so there is often a line to see it, and it also closes at 4. Everything else is open for the duration of the day.

Some warnings: The art is exclusively post-World War II era so there is a LOT of very abstract and some absurdist work. Make sure this is the kind of art you enjoy before you go or you could get bored. There is a LOT of walking involved just to get from the parking lot as well as for the outdoor exhibits, and even within the main indoor pavilions, so wear comfortable shoes. There are tons of benches strewn around if you want to pause for a contemplative break.

Perfect for a romantic day trip or perk for a small group of adult art lovers.

Check out the website before you...the museum and grounds are in themselves works of art. Give yourself enough time to tour the grounds. It is located in suburban maryland but with direct bus service on the Montgomery Ride-On bus the Metro. If you are coming from downtown a preferred way to get there.

Today I journeyed to the ‘nice’ part of Potomac, Maryland and visited the Glenstone Museum for the first time. Set in a largely residential neighborhood (home to probably more horses than people), this museum is a unique treasure in the Washington area, great for lovers of contemporary art, contemporary architecture, and curated outdoor environments.

The Glenstone Museum specializes in post-World War II art (skewing more toward late 20th Century – current artworks), and is quite selective in its offerings. By no means does this mean it is a ‘checklist’ collection (“Hirst-Check; Basquiat –Check; Haring-Check"), but rather carefully curated and edited, along with some surprises (for instance, I don’t think I have ever seen Cy Twombly sculptures, and there was a room with several of his early works). It is meant to be experienced as a pilgrimage of sorts, to walk from the car for several minutes through curated grounds, to the new building and continue outside to the smaller galleries, reflecting on both the artworks and the surroundings as a holistic experience.

To give an idea of its size and scope, the founders, Emily & Mitch Rales, expanded the museum in 2018 at a cost of $200 million; by comparison, New York’s Museum of Modern Art (MoMA)’s recent expansion of a much larger institution cost $450 million. The project added 200,000 square feet of facilities and 130 acres of grounds, to now total approximately 230,000 feet of buildings (including administrative/storage facilities) and 230 acres of grounds.

Admission is free; however, tickets must be secured in advance (and weekends especially are booked up to three months in advance) and are limited to 400 visitors a day. There is a Café and informal Patio for dining. The grounds are extensive (and part of the experience) but between the galleries are well paved for accessibility.

Artists displayed include Arman, Ruth Asawa, Jo Baer, Jean-Michel Basquiat, Lynda Benglis, Joseph Beuys, Alighiero e Boetti, Lee Bontecou, Marcel Broodthaers, Alexander Calder, Sergio Camargo, Lygia Clark, Willem de Kooning, Marcel Duchamp, Dan Flavin, Alberto Giacometti, Arshile Gorky, David Hammons, Keith Haring, Eva Hesse, Jasper Johns, Donald Judd, Akira Kanayama, Martin Kippenberger, Yves Klein, Franz Kline, Barbara Kruger, Yayoi Kusama, Sol LeWitt, Agnes Martin, Marisa Merz, Sadamasa Motonaga, Bruce Nauman, Hélio Oiticica, Sigmar Polke, Jackson Pollock, Robert Rauschenberg, Faith Ringgold, Dieter Roth, Mark Rothko, Mira Schendel, Richard Serra, Shozo Shimamoto, Kazuo Shiraga, Frank Stella, Clyfford Still, Atsuko Tanaka, Jean Tinguely, Rosemarie Trockel, Anne Truitt, Andy Warhol, and Toshio Yoshida.

I have seen private museums and collections which also incorporate their surroundings into the art experience, but none of the scope and depth provided by the Glenstone Museum. I hope that it can last for future generations to experience.

I had read about Glenstone and made it a point to get tickets months in advance when there were available on the web. Yes, it's a tough ticket to get, but it's free. The Rales' family has created a gem in Potomac, sharing their contemporary art collection with the community on 230 acres of beautiful property, highlighting native species along well maintained paths. I don't understand art, but I do appreciate what goes into it and very much appreciate the opportunity to enjoy such a variety of exhibits and pieces in such a wonderful setting. The staff is knowledgable, attentive and courteous, ready to answer any question. This is truly an extraordinary place.

This is an amazing place! I highly recommend a visit. There is no admission charge, but a reservation is required. There is unique artwork, sculptures and grounds. it is well worth seeing.

Art like you have never experienced it before. Indoor and outdoor exhibits viewed close up without barriers. Grounds are beautiful. Docents add interest to visit. Ask them questions and enjoy the experience. Lots of walking. Phenomenal place. No children under 12 allowed.

To be able to fully appreciate this museum you must take the time to walk, sit and observe.....be prepared to walk even in the rain so you can appreciate the stunning
grounds and installations. Think ahead and make reservations in advance.

This museum/art installation space is amazing - so so thought provoking! The spaces really allow you to appreciate the art. I would definitely recommend a visit!

Glenstone is a unique and enchanting world that I encourage everyone interested in art to visit. The art, architecture, landscaping, etc have all been considered, but for the art's sake. They are expanding their galleries and expect to open in 2018. Meanwhile enjoy their current exhibits by reservation for now.

I have a mobility impairment and use a compact 3-wheel scooter to get around at venues like this. Those using scooters and wheelchairs might wish to consider these comments before going.
First, several of the outdoor pieces are available only by using loose gravel paths or walking down long stairs. Many of the pieces are viewable on hard surface paths. The interactive map on their website shows the surfaces of each path.
The main problems I encountered were in the buildings. The Cafe requires you to enter through a very narrow door, turn 90 degrees, go a few feet down a narrow hallway, and make another 90 degree turn through a narrow doorway. Inside, it may be difficult to navigate around the chairs and tables.
The pastry/coffee shop area is easier to enter, but the hallways for the restrooms are narrow and entry into the restroom requires a 90 degree turn. I used one of the restrooms and had to back out, due to lack of space in the restroom itself.
The Pavilions building requires the use of an elevator with a very narrow entrance. Again, I went in head first but had to back out.
Feel free to call or email the museum to ask specific questions you may have.

Glenstone is a hidden gem! The variety of art is fantastic and the setting is very serene and calming. What sets Glenstone apart is the art outside…you walk along trails that lead you past various art, such as the clay houses, sculptures and a large topiary dog. Fantastic!! Highly recommend a visit…oh, and if that’s not enough, it’s free!!!

I hesitate to review Glenstone because part of the joy when visiting is the feeling that you are a private guest viewing a hidden treasure trove of contemporary art that no one else knows about. But since they are building a massive expansion, the secret is out, so here goes:

Visiting Glenstone today is an extraordinary experience for anyone who loves art. The museum itself is a beautiful work of art. The collection is fascinating and well curated. Just driving up to the entrance is a pleasure for the outside sculpture. Your private docent leads you through the gallery answering questions but otherwise allowing you to experience the art without further intermediation.

To visit, you make reservations on line in advance and its open only a few days a week. You will be the only ones there during your visitation slot. Your private docent takes you through at your pace. If, by chance, you take a wrong turn as you drive from the gate to the museum, a swat team descends upon you and redirects you - security is that tight.

Once the larger facility is completed, the intimacy of the experience and some of the attendant magic will surely be lost. But that's not an unreasonable price to pay for having more of the collection on view. And perhaps there will be a place set aside for visitors to linger over a cup of coffee while they contemplate the beauty of the collection, the architecture and the grounds.

Glenstone is a privately owned modern art museum in the suburbs of Washington, DC. The owners have sought to integrate their world class modern art collection, with the beautiful land it is on and the architecture of the structures on the approximately 250 acre site. And they have succeeded extremely well. The landscape is beautiful and sustainable - lots of native plants and meadows; the buildings are extremely modern and interesting and the art is some of the best post WWII art available. There is a café and small bookstore. Plan to spend at least 3 hours - there is a lot of walking and a lot to see.

The drive to Glenstone is a treat also. Rolling country with some very expensive homes to view. Some very nice, others a little garish. But beautiful scenery. The museum was a little hard to find on Saturday. I did miss the entrance and then doubled back. Met up with two friends that I have known forever, and we toured the museum. This is modern art, and if you like that genre of art (and even if you don’t), this Museum is the place to go. It was raining the day we were there. They did provide umbrellas if you wanted to tour the outside sculptures. Since I used to live in the area and my friends currently live there, we postponed the outside tour until better weather.

This is a ONE OF A KIND museum. The entire concept is great. It is hard to even get a fleeting feel for all that is here in a full day. Definitely a need to make many visits to just scratch the surface of all that is presented here. I would be remiss if it didn't complement the staff. They are unique in enhancing the experience. I'm sad that I can't visit on a weekly basis but reat assured, I will return on my next DC trip.

A well kept secret - a real gem that is impossible to describe. It is an experience that all should take advantage of. While my husband and I are not fans of modern art, our 3+ hours exploring and enjoying this one-of-a-kind facility was not impacted. We went on a perfect spring day and advise others to do likewise if you have a choice - a lot of walking, beautiful scenery, serenity - a wonderland that is well laid out, pristine and an obvious source of joy for both employees and visitors.

Wow, just wow. Amazing architecture by world renown architects, amazing art by world renown artis and beautiful grounds to walk and enjoy. Not to be missed, Ride the 301 bus from a small shopping center nearby and enter with no reservations. Best museum ever. Cafe and beautiful places to enjoy treats. And the cost $0. Not to be missed.

We have made our second visit to Glenstone and our first since the new building and cafe has been completed. It was cold, in the 30’s, with heavy rain, making the walk through the grounds to and from the main building less than pleasant. Still, we thoroughly enjoyed the day and seeing how the property and the art collection has come together.

I found some of the pieces hard to understand but the docents are very willing to talk and share their insights as well as ask for yours. I have found that you have to ask questions, listen, and engage with the art to begin to understand it.

Everything has been well thought out. Rain was not a deal breaker as they have a stock of umbrellas in each building as well as places to store them inside the door. Hungry? The cafe, a modest, simple design marvel in my opinion, had just what we needed on a cold, wet day—hot, tasty soups, sandwiches and amazing scones at a fair price.

So, go and form your own opinion of this unique space and allow for a few hours to take it in. And, wear comfortable shoes as a fair amount of walking is involved if you want to see it all.

We visited Glenstone Museum at 10:30am on Friday, 1 Nov. 2019. The buildings and grounds are extravagant. Curiously, one enters the Pavilions at ground level and, then, proceeds downward to the galleries also seemingly at ground level. As is typical of modern art museums, the gallery rooms are large in comparison with what is displayed. Unfortunately for me, the greyness of the interior and several exposed concrete ceilings of the hallways produced an off-putting feeling of starkness and institutionalism. There are several rooms and spaces devoted to providing refreshing vistas of the grounds and landscaped courtyards. Benches and restrooms are close-at-hand. Bravo to the frequent stationary docents who are delightful to engage and provided meaningful and significant insight into the artists and the artwork which significantly enhanced our experience. There are several buildings and extensive grounds so be prepared for plenty of walking. Each building receptionist is capable of scheduling or summoning (free?) cart service. A very quick look would take an hour and a half while a leisurely pace through buildings and grounds might run three to four hours including lunch. Choose good weather for your visit. Admittance is guaranteed only by free advanced reservation. Free parking.
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This museum is well worth the visit. While admission is free, it does require advanced reservations online. Bring your walking shoes! It's a short hike to the Pavilions from the parking lot, and then another walk to the Gallery, plus a further walk to see the outdoor installations.

While several of the art pieces are fantastic, it's the architecture of the buildings and the wonderful grounds that make the visit. I suggest visiting during the different seasons!

After many months is trying, I finally got tickets to the Glenstone. It absolutely delivered. The art was amazing and perfectly set on beautiful grounds. There are so many unqiue experiences. The grounds are much bigger than I expected, so wear really comfortable shoes. For people with mobility issues, you may want to contact the museum ahead of time to check for accommodations. The walking paths we're nicely laid out, but there are a number of stairs and inclines. Also, if you can, get tickets at a time where you'll have a couple of hours. I arrived at 3p and several exhibits closed at 4p. The museum closed at 5p. We got to see a decent amount in the 2 hours, but I wish we had 3-4 hours to avoid rushing between exhibits and enjoy a coffee at one of the cafes. The staff we're also very knowledgeable and excited to talk about the art. Wonderful experience, I'll be back as soon as I can get tickets again.

Read the ‘fine print’ on the web site! Free yes, but you can’t just go! Make a rez or you will be turned away (even if not crowded).
We were a bit put off by the clone-like grey scrubs-like uniformed staff. Creepy?
We were also a bit baffled by the demeanor of people at Glenstone; patrons and staff alike. Stone faced, robotic, unemotional.
The art is an impressive collection and displayed nicely. The architecture is stark but impressive. The grounds were lovely to walk on a balmy Dec day.
Definitely a one-of-a-kind ‘museum’. No regrets but wouldn’t recommend.

If you want to see a more impressive, more beautiful, private art collection in a spectacular setting for free with a more impressive ‘mission’, less grandstanding from a wealthy art patron then visit ‘Crystal Bridges’ in Arkansas.

Great: World class main building and landscape. Free. Huge estate enables victors total immersion experiences. Enough capacity for content growth and worth visits every now and them.
Not so good: Restricted entry tickets. No membership visitors can't be differentiated. No enough collections.
Special Interest: this is modern art only.

This is an immersive indoor/outdoor experience of contemporary art in buildings and landscapes specifically designed to show off the art. The pavilion buildings are beautiful -we loved the lily pond as much as the artwork. It's a quiet and contemplative experience, and the staff is very knowledgeable and helpful.

This is a private museum... and attendance is by reservation only. It's unique and popular and it's free.

A friend of ours managed to get 20 tickets when the admissions process for this quarter was opened several months ago. Our local arts group made up our twenty attendees.

The museum... outdoors and indoors... is in a very upscale neighborhood in Potomac. It is sort of overwhelming that this property is just a short distance from the hustle and bustle of DC and its suburbs.

We arrived at our assigned time and gathered at the arrival hall... and were given a quick overview by a docent. The most important info that we were given is that there are no narratives about any of the art... and that the museum is intended for the onlooker to make their own opinions of the pieces.

My wife and I headed out to the trails (in the heat) to the outdoor exhibits including an outstanding topiary by Smith... sitting high on an overlooking hill. There was another excellent piece by Helzer outside also. The setting of the pieces was exceptional... as you began to realize how expansive the property is and how sheltered it is from the surrounding neighborhood.

We had a stop at the Gallery and then took an early lunch break at the cafe... mainly to cool off,,, but my wife had a nice veggie salad and I had a nice lentil/quinoa veggie burger... AND some cold iced tea and lemonade. The seating arrangements in the cafe are at three long communal tables.

Then we headed for the pavilions...which housed an assortment of unusual exhibits surrounded by lily ponds and rolling hills. The highlight here was Helzer's magnificent Implosion piece... of big long steel girders... arranged strategically in a deep pit.

There are some 'famous' works spread around, but mostly modern edge artists The buildings themselves seem to more of the scene than the art itself in many cases. But... the pieces are well curated.

If you're planning on going, check out the website for how you get tickets. Since it's free there's a mob action as soon as they open up each quarter.

Contemporary art museum with free admission and beautiful grounds where you can wander and spend a whole afternoon. They grant admission based on reservations so it is not crowded. Art installations inside the gallery as well as throughout the grounds. Come ready to walk. They provide complimentary umbrellas to protect you from the rain and sun. It is self guided so don’t expect guided tours, recordings, etc. but the docents are around and eager to answer questions. There are two small cafes with drinks, soups, salads, sandwiches and desserts. It a ton of variety but enough options to get by with. We enjoyed it and plan to return again the fall.

Don’t read too much about it before you go . Part of the “fun” is discovering it on your own . Be prepared for lots of walking outdoors . Bring a bottle of water . Some of the trails are paved and some are gravel, which unfortunately, make this estate hard to explore if you use a walker or wheelchair . If the weather is not good , I would postpone until another time . Do not bring backpacks or large bags . You will be asked to leave them outside of some of the exhibits . Go with an open mind .

The amazing grounds are what strike you at first. Walking up to the entrance gives you a chance to welcome in reflection and puts you in the right frame of mind to experience what you are about to see. Every detail in this museum is very well thought out - from the vistas and interesting architecture to the art itself. The museum is free although you need to get tickets ahead of time. One of the biggest benefits of the museum is that you are encouraged to ask questions by the wonderful staff. And they are scattered around the museum. This museum is located outside of Washington, DC in the suburbs of Potomac, MD.

I was expected architectural designs, artistic displays and a beautiful setting.....but I found these and so much more!! So much thought went into the development of Glenstone....make sure you allow enough time to reach the end of the path where the 3 cabins and outdoor sound experience will leave you in awe!!

Amazing museum and building in an incredible natural setting. There is a particular bench in one of the rooms to admire the view. You feel as if you are outside on the hills since you cannot see the glass. Some windows really look like paintings.
Uncrowded, peaceful, with extremely helpful guides/staff.
Hard to get tickets but worth the effort. We were there in Winter but I am sure every season makes it look like a different place.

A unique experience. Interesting property to drive through to look at sculptures and nature, and the exhibit gallery has an intensive look at a particular artist.

this is a private collection on the private estate. Now in expansion for even more amazing works to be displayed. Huge sculptures dot the grounds.

I loved the setting of this museum! Beautiful building(The Pavillions) by Thomas Phifer
You will be a bit disappointed or at least I was about the collection but never the less they have very good works by very famous artists. They do not let you take photos inside(they want you to experience the art) OK
It is very beautiful outside and you can take photos, walk around the grounds

The property is massive, beautifully constructed and maintained and there is no admission charge. It’s not a totally landscaped environment and I appreciate the wildflowers and natural growth on the grounds.

I would have enjoyed my experience more if I knew some things in advance. Because of the scale, I wouldn’t call it a “sculpture garden,” and be prepared for a lot of walking on gravel paths, (I suggest a closed in shoe). The map provided is some help but not always. Bring water if it’s a hot day- there are refill stations but you’ll have to check in your bottle at the Gallery. I don’t recommend a visit on a hot day.

The Pavilions are currently closed but the Gallery is open. It is tedious finding the names of the artists & pieces, like it’s a secret. There’s a note in the map/brochure, in gray font none the less, about how they “display minimal didactic wall texts,” to make the experience more open ended. Sigh, get over the pretentiousness and just put the names of things near each piece. Some rooms have a list of the works inside the entry door but it’s not standardized. Asking the guides gets to be too much work if you just want to drift and take things in. The irony: we hide the identifying information but we tell you this in hard to read gray font, in the map.

Check the map for the times for the Cardiff-Miller audio piece, Forest, that is only active certain times of the day. Go into the Goldsworthy stone huts if they are open, some guides beckon you in, others don’t.

There’s a lot of interesting things here, just be prepared to decipher the grounds and use your detective skills in the Gallery.

This is not your average art museum, if you are looking for square rooms with paintings hanging on the walls, this is not the place for you. If you have an open mind and would like to experience modern art spread out over a very large area (inside and outside) than give this museum in a park a try. One of the more interesting aspects of the museum is that they have staff spread out throughout the facility would act not only as security? but interactive guides. Most are younger and seem to really enjoy interacting with the visitors. Come prepared to walk through the interconnected buildings and on nature trails on the property. There is a nice cafe located in the museum. Not your father's museum, but worth the experience

People, please do NOT park in the Tobytown parking lot to catch the 301 bus to the museum. This is a parking lot for Tobytown residents only. Residents of Tobytown say that their visitors have no place to park, and they will have to start towing cars left in their lot. Visitors are asked to please catch the bus at other locations along the route or face possible towing and storage fees. Thank you for your respectful understanding.

I was lucky enough to visit Glenstone today with a group of co-workers. I have lived in Montgomery County my entire life, but I was not previously aware of this unique local museum.
The property is in a slightly secluded location off of Glen Road. Access is through a controlled gate. The tour of the property involves both inside and outside elements.
The docent who gave us the outside tour was delightful. We visited three clay "houses" or structures by the English artist Andy Goldsworthy. They are really unique and intriguiging.
The current inside exhibition at this time is by Fred Sandback. The minimalist-style room-size pieces in the exhibit are very thought-provoking. Different guests perceived the pieces in very different ways. This exhibit will be in place until December of 2016.
The grounds and landscaping are breathtaking. We visited on an extremely hot summer day, but I would love to stroll the outside sculpture gardens again in the fall,

Glenstone is truly a hidden gem; had driven by the museum hundreds of times before realizing it existed. The rotating exhibitions are unique and well curated, and the architecture of the building and landscape is equally interesting. The guides are friendly and knowledgeable and are glad to answer questions and discuss the exhibits. The museum has a very laid back an approachable atmosphere.

Hidden Gem Discovery. Glenstone, is a contemporary art museum in Potomac, Maryland. Art, architecture, sustainable landscaping. Wow.just.wow!

The private museum first opened in 2006 and displays the owner's (Mitchell Rales) collection of post-World War II art -- paintings, sculptures (indoor and outdoor).

A major $219 million expansion to Glenstone opened in 2018 that increased both the gallery space and the wooded land surrounding the galleries.

The museum is free and open to the public Thursday through Sunday, 10 am - 5 pm via online reservations through the Glenstone Museum website.

An experience of a lifetime. No photos permitted in the pavilions and gallery though -- booooo! Outdoor photos only

There was so much hype about this place. I have waited for two years and finally got a reservation. The grounds are lovely, peaceful, but not in a welcoming way like nature.

The buildings are cold and bare Nothing to bring a smile. I don't know what effect they were aiming for, but the last time I felt like this was at Yad Vashem.

All the charms of an Ikea piece, minus the whimsy. The little cafe is like Shawshank, minus Morgan Freeman. The place is extremely pretentious! The art is something I could make myself, but they attach some deep meaning to it that no one understands. The whole place on is pretentious beyond belief.

Stay outside. Walk around.

The money would have been better spent as nature center.

Some of the art is spectacular. Some of it is head scratching. All of it makes a big impression. The exhibits change every few months or so, and the collection is apparently very large. Sited on 200 acres of landscaped lawns, meadows, and woods, the grounds are lovely with large sculptures set into the fields. You will need a reservation to visit so start early if you want to go. Glenstone is currently closed for infrastructure upgrades to support the expansion project and will reopen in fall 2015 with an exhibition of works by the late American artist Fred Sandback. FYI there is no museum store, so if you hate them you will be happy and if you love them – well.

The art and architecture of this museum, which are seamlessly integrated into the landscape of this outer suburban location, are impressive enough. What astounded me most was the quality of the staff the museum has. Everyone was welcoming. Most of all, the guides in each room of the Pavilions were very knowledgeable about the artists and their works exhibited in that particular room. I have never encountered such expertise in guides who stand guard in gallery rooms; they were trained docents. I've always thought of them as mere guards, who are there to admonish visitors who get too close enough to the art to almost touch the art. Shoo-artists, as it were. For example, one room featured four sculptures by Cy Twombly. I was racking my brain about this particular artist and asked the guide about him. He was able to tell me about the artist's biography and his art, pointing out to me that the sculptures, made of found objects, were all painted white. How wonderful to encounter such expertise. One other guide told me that many of the living artists whose works are exhibited in the museum were actively involved in the presentation of their works in those rooms.

There are outdoor sculptures scattered about the landscape. Please stop and look at them. Many visitors just walked by them without looking or engaging with them. Walk inside the Richard Serra piece. It felt like going into a maze. Delightful.

How often does one get to see the private art collection from a world class class collector who probably has the resources to purchase exactly what they want? While you need to make a reservation, there is no admission fee. The art is "modern" or "post-modern" (I know nothing about the intellectual side of art) and presumable not collected for the public, and yet this family has essentially let us into their home to see their collection. Whether their tastes appeal to you or not; is irrelevant. After all how else would you know if you do not take the opportunity to experience different types of art. The students or fellows who work there are clearly knowledgeable about art and are very eager to help us to understand.

The integration of art, architecture and nature make Glenstone a must for all lovers of contemporary art. So well thought out by the designers and architects. Many of the galleries are dedicated to a single artist and have no labels or other distractions to interfere with your experience. The owners have their home on the grounds but (within reason) allow visitors to wander the trails, experiencing sculptures and nature. The experience in truly a gem

Depressing, horrible, pointless museum. Virtually no art within the massive, sci-fi horror movie buildings. The little artwork on display (maybe 20 pieces) is incomprehensible, boring, crummy. You could find more appealing "art work" in your garbage can and I am a person who appreciates contemporary art. The DOZENS of special-police/docents/hall monitors in their creepy grey proletariat uniforms are everywhere and constantly in your face, trying to get your attention or scolding you for simply walking around. It is not "peaceful", it's boring and mind-numbing at best, and unsettling and profoundly disappointing at worst.

It was one of the hottest days of the summer and after a drive out River Road I decided to swing by Glenstone. This is Mitchell and Emily Rales art collection housed in several pavilions connected by long hallways forming a courtyard in which you find a garden and fish pond. Reservations are required and can be difficult to come by due to demand but the heat had resulted in many cancellations and I was welcomed. This is a remarkable contemporary collection and I saw works that were exciting, beautiful, thought provoking and of no interest to me. The long walk ways between pavilions with views of the courtyard garden provided a palate cleansing pause between the next artworks. Docents are friendly and eager to answer questions. Access to the grounds was limited due to the dangerous heat but I saw Jeff Koons topiary sculpture, the fabulous Richard Serra and haunting Michael Heizer piece. A highlight is the cedar room with a view of the grounds. GO!

Relaxing, inspirational, aesthetically pleasing...I cannot really express how thankful I am for Glenstone. It is so thoughtfully curated. If you go plan on taking your time. Book around noon and spend the day. Relax, bring a book or journal. Come by yourself or with others. Savor it. No rushing, not crowded-which is so rare when It comes to museums. But you have to book way in advance....

Where to start? This is the most pretentious, self-indulgent, gigantic white elephant of a museum we have EVER visited. First, it cost millions and millions of dollars. The architecture is monolithic and as chilly as it gets. The 'landscaping' is supposed to be sustainable and native - it's just about as barren as the museum. Hardly any flowers, weeds everywhere, one dominant grass - it's a complete travesty. Mega bucks were spent on 'mega' trees and many are struggling and sad. Then you move inside the new pavilion which opened roughly one year ago. There are only a couple galleries with substantial art in them! There are galleries with art that looks like it was hauled out of the dumpster and given a rough coat of white paint .... only there wasn't enough paint. Honestly, we felt insulted. We adore contemporary art and visit museums and galleries at every opportunity. This 'collection' is apparently hyper-tightly curated, and all we could do was shake our heads. In Gallery One, there are a few 'multi-million dollar pieces' - a Pollack, a Giacometti sculpture etc .... but it's just so cold. There is no narrative. If you get within 1' foot of a piece of art, be prepared to be barked at. Everything feels austere and oppressive. The original pavilion was closed. The new cafe had many diners, and the noise was so loud, it literally hurt our ears. We had to leave. Mind-boggling that a project with such endless resources would craft a dining area with zero attention to the acoustics. The patio area where there is also some food was at least available and the limited menu was tasty. Perhaps in time, the museum and surroundings will evolve. But there are so many missed opportunities to embrace and involve the public, to make the most of the land, to engage the visitor. Everywhere you go, you feel constrained, and you can feel the oppressive, controlling hand of the Rales. I guess this is just a billion dollar monument to themselves. We never need to visit again.

Stunning space vibes between Westworld , Apple Park, and The Menu.

Truly enjoyed the ground and architecture. We were soaking wet before exiting the museum. Bring an umbrella if it forecasts rain. There’s about 10 mins walk in the open space from the parking lots to the first exhibition building. Then 2 mins walk to the cafe and 5 mins walk to gallery.

Free entry but need reservations.
We didn’t know but got in on a slow Friday afternoon.

No photographs permitted inside the gallery but okay in the open space.

Enjoyed very interesting perspective art indoors and outside and the 8/10 mile trek as a guided tour was most enjoyable. Glad I wore sneakers. This is a unique facility, well thought out, with great docents, very modern, both in design and in terms of the energy dept with virtually shadowless LED lighting. That topiary work was quite exceptional, not mention the odd and even humerous sculpture exhibits on the 200 acres of grounds. A most enjoyable day surrounded by environmentally conscious folk.

We drove 17 miles west along Randolph, Falls and Glen Roads from our home in Silver Spring this Saturday, taking 45 minutes to arrive at 10 AM. Inside the entry lane, an attendant looked at our 10:15 AM tickets and explained where to park, pointing ahead to a tree lined gravel lot. From here it was only 200' to the Arrival Hall. After using the futuristic white restrooms, we met a gray clad greeter who offered lockers to store backpacks or handbags then gave us maps explaining the self guided route and their strict rules of no interior photos or touching the art.
We set off on the paved pathways that curved along the hill and dales viewing the exterior sculptures and the Pavilions and Gallery exhibit halls.
I was amazed with the entire project beginning with the purchase/development of this wooded pasture in expensive Potomac, then adding a complicated concrete structure that connects a score of rectangles around a water court to exhibit contemporary art, using clerestory lighting inside heavy concrete ceilings.
The architecture vied for our interest with the varied artwork and sculptures. Inside the Pavilions we were drawn to 3 complicated hanging wire sculptures and a large world map embroidered on linen, while outside we contemplated the silver horse and rider and the large crablike 'Smug'. The attending docents were friendly, knowledgeable and pleased to engage to enhance our experience.
A very worthwhile morning with at least a mile of exercise.

We finally got to visit Glenstone on our third try, and it was worth it! Glenstone Museum and gardens are free to visit, but unless you arrive on the Montgomery County Ride-on bus #301, or are Military, a museum professional or in a few other categories, advance reservations are necessary and not super easy to get. We had reservations two other times, but heavy rains spoiled the plans for both. The last Saturday in May was beautiful so we made it. I’d been told that the extensive landscaped grounds are the best part of the visit, so we did not want to go in bad weather. We parked in the lot closest to the arrival center. (If you are handicapped, check in advance for the best strategy.)?The architecture is beautiful in a minimalist, Zen-like mode. The museum guides are all dressed in gray, but in their own preferred style of gray clothing. They explain that the museum does not provide signage to guide visitors to a particular interpretation of the art — you should decide that for yourself. Leaving the arrival center, we heard the sounds of a calliope. It seemed magical from a distance, but closing in on it, we were grateful for the earplugs provided! I only recognized one tune— “Go down Moses.” A guide explained that the calliope was programmed to play the tunes. He said it sounded better on the day when the artist who designed the calliope played it herself. We admired the way the largest pavilion nestled into the landscape. The museum featured many works by Ellsworth Kelly in what I think was his “color field” period — canvases in different shapes painted all in one color. Not so much to the taste of the men in our
party, but we learned that Kelly was part of the “Ghost Army” in WWII creating decoy scenarios that mislead the AxIs forces. My favorite art installation was the room with the walls painted like trees— don’t want to spoil the sensation by saying any more. The first page pavilion has a beautiful water garden. Photography is allowed outdoors, but not inside the museum. So we took photos of the water garden and of the whimsical Dinosaur topiary near the end of our walk. Glenstone has a cafe in a lovely wooded setting, but we planned to have dinner elsewhere. Wear comfortable shoes and a hat and sunscreen— it’s a fair amount of walking, but worth it.

The museum is filled with modern art. While I like seeing many exhibits, I am not a huge fan of the current exhibit for the artist Kelly. He did a lot of monotone canvases joined and a large yellow plywood floor art.

Plus, you are not allowed to take pictures in the gallery spaces.

The latest exhibit by R.H.M is impressive. Anyone who wants to experience post-modern literature, from which this artist probably drew a lot of her inspiration (especially parts 3 and 4), should check out The Declaration Day.

Friends signed up in advance for the free tickets and invited us to attend with them. I was a bit skeptical about driving to Potomac, MD to visit this museum. I have seen lots of modern art, and I admit that I don't understand or appreciate all that I have seen. This 200+ acre setting in Potomac is gorgeous. Modern architecture and minimally invasive placement of the museum within the surrounding landscape makes this worth a visit. I recognized some of the more famous pieces or artist names (Jasper Johns, Jackson Pollock, Alberto Giacometti), there were a lot that I didn't recognize. As usual, there was some that was just plain weird, but that is to be expected, I suppose. I particularly enjoyed the gallery room that explored the impact of humans on the rainforest, by Robert Gober. A room entitled "Library" featured a bench looking out through the cleanest piece of glass I have ever seen to the grounds -- very relaxing. Walking the grounds opens up additional vistas and experiences with the outdoor sculptures and sounds. Worth checking out.

Incredible modern art, fabulous grounds, definitely worth a visit. didn't get a good view of the Koons sculpture because of poor marking, but that was ok. well worth the hassle of getting tickets.

We wanted to take the family for a stroll. I reserved a spot online as required. There was no mention of their policy of not allowing kids under 12. When we got to the gate the guard told us kids (5&8) werent allowed unless in a carrier!!! I asked him if he meant stroller, but he insisted no kids had to be carried.... Seriously... Then we drove into the grounds to turn around just to be driving past a whole group of people including kids as small as 5-6. I went back to the gate mention this to the guard but no explanation was given and he stood firm with his policy. It was a very disappointing experience.

Contemporary art fans will appreciate the attention to detail and location of this unique collection. Some may find that the architecture and structural pieces outshine those on display in the exhibits. Exceptionally beautiful on a fall day.

Knowlegdeable docents were available for questions in the exhibits in their signature grey uniforms and were very helpful, although they a bit overbearing. Even the staff members in the patio and cafe dining areas contributed to the curated experience. (Scones were tasty and the handle of my latte was presented with careful precision.)

Logistics: Lockers are tricky to figure out, there is limited accesibility, and the placement of title cards made it challenging to quickly reference the name of the artist, although the museum is designed to make you think twice about the art and eliminates descriptions of the collections and work. No phones in thr gallery allowed us to stay present. Most importantly, there is an excessive amount of gravel along the pathways, so choose your footwear wisely.

The art is interesting and well worth the visit, if you can get a reservation, but this review is aimed at the issue of accessibility. It was very easy for a person in a wheelchair to visit the original gallery, that is not the case for the expanded museum. While there is a provision for transporting individuals with limited mobility to the pavilion and gallery, simple things have been totally overlooked or ignored. There are some very clever doors that open when given a gentle push (at the entrance to the Arrival Hall and cafe, for example), but the doors to the restrooms are very difficult to open as are the doors to the individual stalls. Someone on the staff should actually sit in a wheelchair and try to enter a restroom and a stall and then something should be done to remedy the situation - maybe install more of those very clever doors!

The most amazing thing is that it's absolutely free (pay attention, Daniel Snyder)--the Rales family share their wonderful collection with everyone. The main downsides are the timed ticketing, which is getting easier as time goes by, and the 4 day week (Thurs-Sun). In bad weather, like today, you're limited to the main building, although umbrellas are provided. Looking forward to another visit in nicer, drier, warmer weather.

This site combines great architecture with a beautiful landscape and contemporary art. Allow 3-4 hours to soak in the indoor-outdoor experience. Entry is limited so check website for details. This is a cafe for lunch. The staff are very knowledgeable and are able to answer questions about the construction of the unique facility as well as the art it houses.

We went on an overcast Fall morning. The grounds were spectacular, the architecture very interesting and the art mostly a miss for me. There were one or two galleries with pieces I appreciated but most left me unimpressed. The architecture provides a great setting for the art work. As others have noted, there is some walking involved (including a 10 minute uphill walk from the parking lot to the main building) so come prepared.

I just got back from the Glenstone. Most time I have spent looking at modern art. Amazing exhibits and excellent intelligent staff. It's not HC friendly but if your able, make the reservation. Outside exhibits by Felix Gonzales Torres, Andy Goldsworthy, Ellsworth Kelly, Tony Smith, Jeff Koons and Richard Serras are intense.

You must make an advance reservation. When you arrive your small group (12 or less) will be assigned a private docent who will walk you through their current exhibit for about an hour. Our docent was a totally charming older woman. What they exhibit at any one time only represents about 3 % of the museum's collection. So you'll have to look forward to when they change the exhibit in about a year so you can return. This will be less of a problem when they finish construction on the new pavillions they are currenty constructing. You can also sign up for a separte tour of the grounds--they have a lot of outdoor sculptures.

A meditative journey encompassing both established modern works and more edgy conceptual creations, situated in a stunning landscape punctuated by arresting sculpture. Leave yourself plenty of time to wander and wonder. I wish we lived closer. One visit doesn’t do it. The staff, by the way, is knowledgeable and engaging. Don’t hesitate to ask questions, of which you will have many. Transportation from the parking area to the main buildings can be arranged at the welcome center.

My wife and I went here on a whim on December 31st. We didn't think we'd be able to get tickets, as only a limited number of visitors are booked on any day (I think 50 maximum). We had heard about Glentone and it is very close to Rockville, so we decided to try to visit. We were able to book online the day before.

Glenstone is a privately owned museum/gallery. The owners have been collectors of modern art for twenty years, focused on post-WWII art. There are several indoor galleries with changing displays; we only saw one exhibit which was of conceptual sculptor Fred Sandback. Interesting and compelling but very abstract and not everyone's cup of tea.

More interesting is the outdoor sculptures set in an impressively designed landscape. These include works by Richard Serra and others. The experience is not like visiting one of the Smithsonian museums in DC, as you are escorted around in a small group and encouraged to experience the art up close.

The new addition is supposed to open in October so there’ll be more to see. The outdoors were quite buggy although we didn’t get bitten. One of the Richard Serra pieces is unfortunately located in a ditch obstructed by some trees. We were lucky to come at a good time for the Koons in full bloom which I didn’t realize until seeing some of the pictures others posted. We came for the Louise Bourgeois exhibit which was not bad but not wow.

Unknown to many art lovers in the Washington, DC area is a relatively new museum (2006) located in rolling and wooded landscape of Potomac, Maryland. This is a private collection, only a small portion of which can be displayed in the current museum and on the grounds. A second museum is being constructed to display additional items from the post World War II period. The owner's residence is also on the site and the combination of outdoor sculpture (includes a fantastic Jeff Koons head), work by Andy Goldsworthy in 3 outdoor stone structures, and the current retrospective exhibit in the museum of the collaborative work of Peter Fischl and the late David Weiss, combine for a visual symphony of aesthetic pleasures. One needs to make an appointment in advance to visit the grounds and museum, but on a lovely day...it is pure pleasure!

We have been to many private museums around the world. They are our favorites for various reasons. The new building at Glenstone is beyond remarkable. The art, while reflecting the eclectic taste of the investor, is amazing statement of vision of this collection. It contains both world regarded artists and lesser known but equally important influencers of world regarded artists. The architecture and positioning of the building, the grandeur of the land and the knowledge of the very young staff make this an essential and rewarding visit.

The grounds are absolutely beautiful, and the guides and docents are very good. The water features seen from inside the gallery building complex are quite pretty. I am not an art critic, but I consider the indoor art to be, with the exception of 34-6 pieces/installations, to be pretty uninteresting. I am not much more taken with the outdoor art, and the architecture tends too much to the "brutalist" for my taste. Nevertheless, I think this is a good place for an individual that lives in the DC area and who has had time to enjoy other museums many times, to enjoy part of a day. I would not make a return trip, but there is no disputing taste.

There is no indoor photography.

A hidden gem in plain view. The Glenstone Museum is located outside the DC Beltway in the rolling landscape of Potomac. It is privately owned and open to the public. It holds a collection of unique pieces that the owner has collected over many years. You can use up a full day wandering through the galleries and enjoying the beautiful location and more art outdoors. I thought we would be there for a relatively short time - but instead, we were there a good part of the day.

Modern and contemporary art of the highest quality, much by artists whose works aren't in the standard textbooks. There are indoor works, some produced as a result of the artist's residency; site-specific outdoor works; and unbelievable carefully designed views of what appear to be simply natural landscapes.
The museum has produced monographs about many of the artists represented.
Well-informed guards/docents in every gallery space will answer your questions when approached, but they are not at all intrusive.
There is no entrance charge, but visits must be booked through the website ca. 2 months in advance, only 400 visitors being allowed on any given day.

This is one of the most impressive places I have ever been to. But it is not for everyone. You need to do your homework before coming. Go to their website and see the process for admission. They limit the admissions to maintain a very special experience when seeing the artwork. Children are not permitted in order to allow you a very close experience with extremely valuable artwork. There are people in each room to provide insight regarding each piece of art. This facility is an extreme example of philanthropy and a very special gift to our country.

I tagged along reluctantly to Glenstone, thinking at least it would be a nice walk on an Autumn day. I am no fan of fine art museums but the combination of gorgeous architecture (the buildings are very much part of the exhibits they hold), the connected, breezy space between each exhibit, the controlled access ensuring you're not part of a mob and the feeling that you are always close to nature (because of the gigantic windows in the Pavillions) made it an incredible day of culture, fresh air and exercise.

it's actually hard to enumerate all of the highlights. The staff (and their unique uniforms) were tremendously helpful and seemed genuinely interested in how we enjoyed our experience at Glenstone, what we did and what we considered our favorite exhibits. The walking trails, paved paths and boardwalks through marshland were a treat to navigate. The art in the Pavillions was really quite engaging and there was really something for every taste on display. The world map with countries rendered from their own flags was incredible - as was the Jesse Jackson display - and the cube of building materials.

Worthy of special mention is the Outdoor Sound Installation and its current exhibit "Forest (For a Thousand Years)". Finding the exhibit isn't obvious, but from the Patio, you'll hear unnatural sounds or at least sound levels. Follow those sounds and you'll soon be in the middle of the exhibit and will be wow'ed by the 26 minute loop which summarizes the history of a forest. It's an incredible and wonderful experience.

Another highlight for us was getting up close to the massive outdoor sculpture "Split Rocker. I don't want to spoil the surprise, but seeing the way this massive, flowering plant based sculpture was built was a real treat. From a distance, it's just a head on a hill - but the closer you get to it, the more amazed you'll be by it's intricacy and beauty. I can only imagine what it must look like in the springtime.

Finally - the Cafe at Glenstone is just a wonderful way to bracket a visit to the park. You'll need some refreshment if you're going to do justice to all there is to see at Glenstone and the cafe offers really tasty (if limited) items on its menu. Everything we had was delicious, but I particularly liked the hearty roast beef sandwich. The soups were both great - since it was a chilly day, they really hit the spot. The Cafe's decor reminded me of of Finnish design and the floor-to-ceiling windows, and the building's siting put you literally into the treetops - looking out in one direction. Windows at Glenstone are a theme - they all seem to be made and maintained to be as unobtrusive - invisible actually - as possible and to bring the outside indoors. The spartan furnishings and other decor inside the Cafe seem designed to ensure your focus remains on the treetops. Art meets dining.

Tips - they really mean no pets. One visitor who smuggled their dog into the park inside a bag was ejected from the park, escorted out by security. All transactions are by credit/debit card - they don't accept cash. If it's raining, you won't need an umbrella - the park provides them free for your use. All bags have to be checked and they really don't allow picnics or outside food/drink. Finally - engage the staff in the Pavillions - they have a LOT of interesting insights into the exhibits and their artists.

This is a private museum that requires on line reservations. Open Wed-Sat. We saw an exhibit devoted entirely to Peter Fischli and David Weiss. It was one of the most creative and inventive displays I've seen. Well worth the drive. The owners are building museum 5 times as large. The only drawback is no photos at all.

The Glenstone Musuem houses an outstanding art collection in a unique setting. The 240+ acre grounds encourage leisurely strolling and peaceful contemplation; the outdoor artworks are all carefully fitted with their locations. The pavilions are gorgeous buildings in their own right, perfect for highlighting the works of art. This is an important collection and a unique Museum. And it’s free! The only drawback is how difficult it is to get tickets: available on the first of each month at 10 am for visits the following month. Occasionally you can get tickets within a shorter time frame, but the museum seems to discourage people from visiting without reservations. It took me six months of trying before I was able to get a ticket. But I would love to go again, and will keep trying!

Having been to many an art museum (US and Europe) I have to say, this isn't the same ol', same ol'! It's modern art, set in a purpose built setting (indoor and outdoor galleries). Some of the art is just plain....What???? But some is terrific! (But isn't that the purpose of art, for the viewer to decide? ) Our family of 4 adults had a great time, even with the blustery weather. Had a bite in the cafe and enjoyed that too. We want to go back and experience in spring, summer and fall too!

We were totally impressed with the serenity & beauty of the place. The architecture was brilliant, understated class to the finest details. Unfortunately some of the artistic display was a little opaque to me with rather bland titles which would otherwise have given a non expert a hint of the artist’s message/thoughts when designing the piece. But we enjoyed the beauty of the place. Be prepared to do lots of walking albeit among beautiful grounds. It also has a simple but nice cafe offering soups & sandwiches. Recommended.

Thanks to the generosity of Mitchell and Emily Wei Rales, the museum is currently free to visit. However, some days they may stop you if you don't reserve in advance. Some outdoor exhibitions like Michael Heizer in the Pavillon may take 15 minutes to an hour of waiting since maximum 3 people are allowed to tour the exhibit at any time due to the county ordinance. Koons, Smith, Serra are all in close walking distances that you can't miss. But some are very distant such as Gober but still worth to see. Nice trails in the acre and well maintained. There are two different cafes where you can enjoy food and wine and the outdoor sitting area weather permitting. Easily spend 3 hours seeing all the exhibits. No kids allowed, no heavy clothes, no water bottles, no photography indoors may seem a bit strange but respect the policy. The museum offers free use of umbrellas for rain and they have plenty of lockable storage in the pavillons. A unique place..

We live nearby but hadn’t seen the new pavilions and landscaping. Wow. It is not to be missed. We had a 10:30 ticket which was perfect as we could make the outdoor tour (only given at 1,3 and 5) to get an inside view of the Andy Goldsworthy houses. The loop trail was closed due to mud but we instead got to explore the audio installation which was unlike anything I have experienced before. The indoor galleries were spectacular and the architecture and landscaping together make a perfect combination. We had lunch in the cafe which was surprisingly delicious and reasonably priced. Get your free tickets now as there is a long wait to get in.

Loved wandering the grounds and then heading indoors for the supersized installations. Impressive marriage of indoor & outdoor space - it's hard to know where the floor-to-ceiling glass edge is when you're indoors looking out. The lockers are generously sized and fancier materials than any lock I've ever seen. Helpful staff + unusual pieces & gorgeous grounds = fun way to unplug for a few hours just outside the beltway.

I got there and the workers were disrespectful. They didn’t let an 11 year old go inside. The artwork was extremely boring and a total waste of time. DONT GO INSIDE

Loved it. Wonderfully unique and impactful. And it’s FREE! What is it? It’s an indoor and outdoor modern art museum tucked in a beautiful natural setting. Even just the environment of the place is amazing. The buildings, the grounds, the people lend to a sense of welcoming and solitude. The indoor displays rotate. In many of the rooms there is a friendly, helpful staff person to answer questions or with whom you may converse about the display if you so desire. The exhibit on display when we went was not just thought-provoking - it was affecting. There is a delightful cafe available; the food was delicious, the environment calm and relaxed, and the staff helpful and friendly. There is also a patio that’s available for dining during viable seasons. Though Glenstone is free, it’s necessary to reserve tickets in advance - it’s quick and easy to do online. With the rotating displays and the beautiful natural setting, my wife and I hope to visit quarterly - with each new season. GLENSTONE TRULY IS A GEM; I’m glad my wife and I discovered it.

It was 99 degrees and sunny. Walking around the gardens to look at the art would have been unbearable except for the guide who was explaining the pieces, the artists, and who made us forget how miserable the weather was.
I'd definitely recommend a visit.

Glenstone is nothing less than spectacular and is truly the first homegrown art collection in Washington DC that is on a par with those in New York or California. It's very much the 21st century equivalent of the Frick Museum in which an industrialist with discernment and the money to back it up has created a truly world class space. Please be advised, Glenstone is essentially transitioning from a private estate to a major museum that will be open in late 2018/2019. So, right now, there's a gallery that shows one artist or one show and about four or five large scale sculptures placed in an extensive manmade landscape. This place is not easy to get to, so make sure you understand that you're going for a very beautiful soupçon of contemporary art. It's not the Pompidou Center although it will get quite big when opened.

One of the nicest touches is that the staff is there to discuss works with you, provoke ideas and start a conversation. They are neither tour guide or guard. So, if you're curious about contemporary art but are not really sure what to make of it all the time, this is an excellent, non-judgmental place to learn and ask questions. The gallery staff are all wearing a type of gray pajama that somewhat looks like what farmers wear to plant rice in Southeast Asia except clearly designed by some Swiss German Uber hip designer.

When reading the TripAdvisor reviews, it's clear that a lot of people don't know what to expect right now and are disappointed when they get there. So, here's my guide to whether you should go or not.

My three main reasons to go:
-If you really know the current icons of contemporary art, you'll be in heaven.
-If you're curious about contemporary art but don't know it well and you have a car and gps to get there, this is a good place to learn.
-If you're a neighbor and have been wondering what's been going on there, it's definitely worth the snoop. Get your Gladys Kravitz on!

Here's who shouldn't go:
-if you're idea of contemporary art is going to MOMA for a Matisse or Cezanne show, this won't be pretty enough and accessible enough for you.
-If you have limited time in DC and no transportation, I would wait until 2019 to reconsider going.

So, if you've been to Marfa, Site Santa Fe, Art Basel, Dia Beacon or Lightning Field or know what I'm talking about, run here. Do not walk.
For those of you who think your kids could do contemporary paintings and want to see an Impressionist exhibition, please stay away for now and spare this place the bad TripAdvisor reviews.

Glenstone is a remarkable museum. The care taken to display the art is evident throughout and the curators clearly have an eye for detail. The whole place has a spiritual feel to it and we came away feeling emotionally fulfilled.

Glenstone takes a minimalistic approach and honors personal interpretations of art. They do this with art tags of the title and artists quietly tucked in the entrance of each hall. Additionally the docents wear slate grey on grey from top to bottom. No name tags just a thin shiny silver bar let’s you know they’re available to help. They also answer a question with a question and work to open up your mind. All good.

The landscapes outside meld into the polished concrete in a way that you think wouldn’t work but does. We left wondering what the symbolism of the varying heights and sizes of the buildings signified. Hmmm... will have to come back for further contemplation.

Extensive, simple yet beautiful landscaping incorporating lovely, sculpture pocked visas. Open on a limited Covid basis for interior art collections. Well worth the trip but don’t bring kids. Alas, none are allowed under 12 years of age.

This gem of a museum is privately owned and is nestled within the Potomac community. You weave seamlessly all around the mansions and beautiful grounds and then suddenly you are there. It's best to make a reservation so that they can accommodate your group ahead of time. The day we visited, busloads of people just poured in. There is plenty of parking. The buildings and exhibits are accommodated on about 300 acres, most of which, from what I could tell, is left wild and natural. Within the first large exhibit hall, there are many huge glass windows with spectacular views from each. It's necessary to check in your belongings, or lay them on the ground outside of some of the exhibits before viewing the art. There are a few one-person restrooms. Docents are all over the buildings and grounds, so having a conversation about this spectacular art is a good idea. Each has historical value to the artist and to the time period in which it was created. The range of art is huge---paintings, sculptures, objects of all kinds, sounds, gravelled walks and paths, the landcaping itself as you walk along, etc. There is a small cafe where all of the food is handmade. However, if you arrive much later than the first few hours, they run out. It is best to arrive near to 12:00, since most of the exhibits, etc. close at 4:00. All in all, a wonderful day and very unusual.

This museum features modern art, and those whose taste leans to more classic art will probably not like it much but it's great for those who are avant-garde. It's set on a lot of land, and there are outdoor sculptures which you can see from the paths. There's a lot of walking required, and the paths are gravel. I went with someone in a wheelchair, and it is not at all handicapped-friendly. It's quite a distance from the entrance to the buildings. They have what they call carts (actually minibuses) to get you part of the way, but then there's about a block distance uphill on gravel to navigate which is very difficult pushing a wheelchair (doubt someone could do it self-propelling their manual wheelchair). Handicapped will miss the outdoor sculptures due to the difficulty in getting around on gravel. I do not recommend the museum for anyone in a manual wheelchair or using a walker. If in a wheelchair, you will need a strong ablebodied person accompanying you to push it. (lots of staff, but they will not push wheelchairs or load your wheelchair into a "cart")

The respect for the land and the art was apparent in the construction of Glenstone. Opening to the public, by appointment in October, it is a must see. The art is beautifully curated and the detail in the structures down to every bannister, bench and window creates its own magnificent giant work of art. While Potomac, where Glenstone is located, is a bit removed from DC, it is unquestionably worth the trip. Leave two hours for this visit. You need to experience it without rushing through. You will find as I did that there is nothing that was not considered important in the choices that is Glenstone.

What can I say? I am addicted to this museum.
Why?
It has everything for every art lover, nature lover, architecture lover, food lover and for lovers.
The grounds are spectacular, art is unique, food is beyond museum standard and the architecture is outstanding.
Finally, getting tickets are a challenge’ but if there is a will, there is a way.
To all teachers, you can show your teaching ID card at the door and are automatically admitted!
To everyone else, go on the website and reserve your ticket.

We visited this private (and free) modern art museum at the end of January. The museum is uncrowded and the art is very accessible. The collection is impressive and well curated. The grounds were beautiful even in the middle of the winter although the trail was a bit muddy from the recent melting snow). The trails are likely to be even more wonderful in the warmer months. While the tickets are sold out months in advance, we went online an hour before we wanted to go and found there were tickets available. This museum is definitely worth a half day visit. Even the food in the cafe was great. The Glenstone Museum is a wonderful contribution to the community - thanks to the Rales family for opening their impressive collection to the public.

I recently visited Glenstone for the second time. I waited until this visit to see if I still felt the same way about it as I did after the first visit, and I do. I've given Glenstone 3 stars because the grounds and outdoor sculptures are a 5, but the rest, sad to say, is a 1.

The grounds are beautiful; there's a lovely Woodland Trail, and some very interesting outdoor sculptures, particularly including Jeff Koons's "Split-Rocker" and Richard Serra's "Sylvester." The "audio" piece, "Forest (for a thousand years)," is also worth some time; sit on one of the tree stumps, close your eyes, and take it in.

Alas, the pavilions that house the "indoor" art are stark, mono-chromatic, sterile, and look like prisons from the outside. The docents are dressed in weird drab grey outfits that make them see like extras in a sci-fi movie. The art displayed inside the pavilions struck me as the emperor's new clothes. The nicest thing about being inside the pavilions was being able to see the small pond with lily pads that the buildings surround.

I would have appreciated better signage throughout Glenstone, including a display of the name of the artwork (especially outdoors) at a place where the viewer is likely to see it. (Or at least put it on the maps.) One particularly bizarre spot is the women's room at the Arrival Hall. It is so unrelentingly bright white, with floor to ceiling bright white stall doors, and a bright, white stall in which you are totally enclosed, that it was an assault on my senses. What were they thinking?

Apart from the outdoors, Glenstone struck me as an incredibly pretentious place. It's worth a trip if you'd like to take a nice hike of about 2.5 miles around the property, and see the outdoor sculptures. Bring your own water.

Though you must get tickets in advance if you are driving to Glenstone, there is no admission charge, so that's a plus.

Architects talk about form following function. In other words, making the built environment highly usable. Apparently the Glenstone architects missed that class.

I and basically everyone I observed struggled to open the right door, find an exit, operate everything in the well-hidden restrooms and find the front door to almost everything.

Twice I got corrected for doing the wrong thing - getting too close to a piller that turned out to be an unprotected sculpture/piller in the middle of a vast room and then exiting an intentionally dark room by the door marked "exit" that wasn't the door they wanted me to use. I'm well versed in art museums and have never been reprimanded before, let alone twicr. Sheesh!

Enough whining.

The art was nicely installed in huge, mostly bright spaces. It is all modern art so go knowing it is all quite abstract. Most of the galleries wrap around beautiful water features with lilly pads.

The grounds are relaxing - young trees, meadows, vistas and giant sculptures beside the paths. All paths are well marked so you can find your way around.

They have two cafes. One is table service and the other is counter service. I had the best biscuit of my life and the most bitter and unpleasant salad of my life -$16. Service was very good.

I was there the day after record breaking heat. I'm so glad I missed the heat because you have to walk on paths everywhere and most of the seating consists of outdoor benches. Be prepared for the elements.

It was an interesting day filled with moments of weirdness for some reason. I'm glad I went but don't plan to go back.

This is an extraordinary place: outdoor artworks and galleries set in a huge expanse of rolling landscape. The architecture is amazing. There are vast rooms with just two or three artworks in them. Many rooms rely solely on natural light filtered in almost surreptitiously. Many will debate the selections of art, but go for the setting alone and you won't be disappointed. A visit will entail lots of walking to get around this vast facility. But it is so pleasing, you won't tire. We look forward to returning with each season, just to witness the changes.

We took our teen daughter for her birthday since she is enjoying art. We loved the entire experience and will definitely go back to see exhibits in different seasons.

Glenstone Museum is a private collection that is open to public viewing by appointment. It is free to visit and a must if you're in the area. A bit off the beaten path in comparison to other local museums, but it's worth the drive. Large outdoor sculptures and installations scattered across the property, as well as an indoor gallery with rotating exhibits. The sculpture garden and installations can only be viewed on a guided tour, which I was a bit bummed about, however, it is someone's personal residence and property.

I am not a fan of modern art, but the experience at Glenstone is a total immersion that combines architecture, nature, and art that actually enhances the enjoyment of the modern pieces. Even though I probably didn't "get" more than a quarter of the pieces, the way the campus is laid out and how every single view is beautifully and artfully curated made the visit incredible. Every piece of the pavilion exhibitions was thoughtful, from every door, switch plate, sign to every vista or viewing in every room, right down to the benches that were their own works of art. The woodland path was its own gorgeous outdoor exhibition and walking to each of the installations felt like being in a museum of nature. The docents were all so friendly and welcoming and fantastically helpful in offering interpretations, insight, or just background on the pieces and they made the visit even more interesting. Given there are rotating exhibitions amongst the permanent pieces and how the weather/season would affect the views of the grounds, it can be visited over and over with a different feeling and perspective each time. What a fabulously well-done museum.

Really disappointed. We drove 250 miles to visit this place. The hype was huge! It felt like The Emperor's New Clothes. We kept waiting for some "good" art. Even the top artists' pieces were lackluster. Boring Rothko, Warhol, Giacometti, Haring. The outdoor sculptures were slightly better. The temperature was 95 degrees, and white umbrellas do no good at protecting the body from the heat. Water was scarce, warm, and hidden. The gray frocked guards were unhelpful. There are no warnings about the steepness of the climb out of the woods. The lotus gardens were the most appealing attraction...much more interesting than the mediocre art. The temporary exhibit of black quilts was really interesting, with decent explanations, unlike the permanent collection. The owners of this ridiculous collection should hire some consultants to make this place more user friendly.

The collection: if you are a fan of 1950 - 1980 Abstract Art and have seen it in other musuems, here is a small sampling of the greats and second tier works. Considering the size of the buildings, there is a huge amount of vacant space. Too bad they do not have or care to show more than one example of these terrific artists' work.

The architcture: they are obviously big fans of the cold, sterile abstract cubist concrete architecture of the 1960s and 70s. While there is some logic to the symbiosis with the collection, there was, in my view, a huge opportunity lost by not designing something quite modern but not so sterile and unimaginative.

I liked that within the huge connected cubes, the galleries are human scaled. However, there are literally acres of concrete walls dying to be adorned with paintings and hallways with sculptures. tea

The galleries are in the basement s of the cubes, which is ok, but the ground level and above ground level areas are conspicuously vacant. The large scale works displayed on the marvelous rolling hills are in most but not all cases poor examples of the artists finest works, particularly for their integration with the landscape, but that is what the collectors had to work with although there are a few fine pieces well integrated. You shall decide for yourself.

Lastly, when you arrive, it is explained that there is little written interpretation on the walls because supposedly there are guides located all about for you to discuss you feelings and answer questions about the art. They feel that written interpretation interferes with human interaction which is inherently better. This is a chauvinistic antiquated attitude that assumes for you that everyone learns in the same way through the same medium. As many of us now know, people are different, they learn in their own way, and some like human interaction better than others, some prefer written interpretation, some video, and so forth. Their unilateral approach may discriminate against autistic people, shy people, people who don't speak English, for example. do

All that said, it is not a complete waste of time. It is a lovely park with some nice art and some lesser examples, giving you the opportunity to critically evaluate which is which, hopefully without your being told everything is perfect as it is.

Ps: if you go to a cafe, they only accept credit cards, which they should tell you before you order. I had left my wallet in the car, and I had planned to pick up the check for my brother's bithday, so he paid by card and an I gave him cash. A bit awkward. Btw, we didn't have tickets so we took the bus from a mile away whereby they let you in without a ticket.

My wife and I make reservations (Wednesday - Saturday only and Hourly Reservations are from
10am - 4pm , see http://www.glenstone.org/) here once a season or so and it is a great treat to take visitors to the area to since it if not well know, but a first class experience in every way from the surroundings, the exhibits, the knowledgeable docents who care for you, the architecture etc.

We traveled out of our way to go to this museum and as we arrived the person at the front said, "sorry but we're closing in 45 minutes and therefore you need to turn around and leave." I asked him what the hours were on Sundays and he looked at our 2 kids in the backseat and said "sorry, sir, but 2, 3 and 4 year olds aren't allowed at the museum because of an incident". I asked him "what age do you need to be to look at art here" and he said "13". I told him "this is a terrible policy, and how do you expect kids to be inspired by fine arts and grow up to be interested in fine art if you don't even allow them to view the art. You are literally banning families from attending your museum, and as a result killing the future artists." He looked at me with a blank stare and just shrugged. So, that sums up my experience at this pretentious, waste of space of a museum.

Such an absolute delightful visit for us to this beautiful and idyllic museum campus in mid November. You can tell instantly so much thought has been put into every visual, every convenience for the visitor, even down to the aesthetically pleasing gravel parking lot and ample umbrellas on this rainy day. After being greeted happily at the visitor center, the nature walk up to the museum sets the stage for how important nature and art is integrated. We so enjoyed the experience of visiting the Pavilion, a breathtaking building structure merged with nature, a calm and peaceful pond at its heart. Visitors walk through 11 rooms varied with art mediums, displays, and impressive artists. We especially enjoyed Room 7 with its carved bench, rustic paneling and view of the fields outside. With the help of a docent, we enjoyed Room 8 showcasing the emotional work of Charles Ray. In a separate building you will find the Gallery which is more your typical art museum setup, but with no less impressive works in the Iconoclasts exhibit. What made our experience complete was the friendliness and happy welcoming nature os the grey clad docents, cafe staff, and personnel. On separate 4 occasions, docents took the initiative to discuss the artwork and provide helpful context, history and background which accentuated the entire experience. Oh yes the cafe, highly recommend taking in a meal and drinks in a communal table setup and chatting with your neighbors. The black bean burger and salmon salad hit the spot. Just a great way to give back to the museum. Unfortunately we didn’t explore much of the expansive nature trails and outdoor exhibits due to the rain but agreed we would return again to see the museum in a more spring-like setting. Admission is always free of charge but, given it is open on Thurs-Sun, must be booked in advance on the user friendly website (students can show up and enter without booking ahead).

This is not your typical museum! We love great art and spectacular architecture and somehow found out about Glenstone. It was a 300 mile trip to make a visit, but it left us in awe.

First, a little back story. A couple with substantial resources also love what we love. They took their money, purchased an old farm in Potomac and built a small but incredible museum in which they can display, on a rotating basis, their impressive collection of art. One artist at a time is displayed throughout the facility and the shows change regularly. They also live on the property and are surrounded by more outdoor art pieces located along a one mile long path visitors can take accompanied by a docent.

The walk is hilly, so if you’re not up for a good walk in the woods, it’s best to pass on this portion of the visit.

Docents, or guides, are everywhere and you are always attended by someone who can answer your questions and describe what you are seeing. Also, you are not surrounded by huge crowds. All visits are by appointment and limited,I believe, to a total of 20 people per hour. You can stay as long as you like, but you do not get in before your scheduled time.

You’ll find restrooms in the gallery area, but there is no food service. However, by the end of 2017, an entirely new building will be completed on the property with substantially more display room, a cafe, more trails and more amazing stuff.

We went there on a very hot Sunday dressed in entirely the wrong clothes. Come in clothes that allow you to walk easily along forest paths.
For those who enjoy modern art, this is just the place. I'm more a renaissance masters kind of guy and wasn't wowed by anything there except the buildings, which are striking from the outside.
We were told to make sure to visit the Cardiff & Miller location which had sounds. After a search, we finally found it. It was weird. There were lots of quite disparate sounds, some musical, some just noises. I never understood the point. We left early.
They will give you a map to help you negotiate the place, but I found it absolutely useless. The icons marking various things such as water stations and cart pickup were so small as to be useless for anyone without a magnifying glass. The entrance of the site is not marked on the map, which made it difficult to orient yourself.
We never saw street signs marking the various paths and they were not marked on the map. Since the place is so big, it's not practical to just keep walking until you find what you're looking for. The electric carts were a big help to rescue those of us who had had enough.
However, there were staff at various points and they were very helpful in giving directions and explaining things.

The architecture is riveting. The museum buildings are set in a landscaped vista that one approaches on foot from the reception center.

The museum rooms in the first building are below grade and perfectly lit! The walls are concrete block inside and out. Serene!

With few exceptions, I didn’t like the sculpture selections but that’s my taste. There certainly is a wide range.

We ate at the sit down restaurant. It was excellent and modestly priced! I had roasted vegetables and my husband had a roast beef sandwich. Our friend had soup. All pronounced very good.

I’d like to return in the warmer months to explore the grounds a bit more.

I drive by this place daily and never knew until recently what beauty lay inside...and outside! Being a complete idiot when it comes to fine art, I enjoyed all that I saw, but mostly, the architecture and grounds of the museum itself! My favorite exhibit was actually an audible experience rather, that carried my imagination through a forest over 1000 years! Oooh....you gotta go!

Glenstone Museum itself is a work of art. The building design, the rolling hills, the water pools-- everthing works together to create senses of balance, proportion, and harmony. Very minimalist. Inside there are two works that really engaged me. Michael Heizer's,"Collapse" is an expansive view of landscape art and a powerful theme. Robert Gober's " Untitled" is a homage to the dead and sick from the AIDS epidemic. Very moving. Admission is free. Limited parking so it is hard to get tickets.
The docents are really helpful and open to conversations. It is about 25 miles outside Dee Cee.

If you live in, or plan a visit to, the DC area, put the Glenstone Museum on your bucket list. we saw a piece on the museum on CBS this morning about six months ago, and, although we live in Michigan, we vowed to visit the museum when we were next in DC.

Entry is free, although you need to go online to get tickets about three months in advance, and if you’re visiting, you definitely need to get a rental car to get here. All that said, it’s worth the trip.

In addition to hundreds acres of natural beauty, the museum is home to 10 art pavilions and galleries which feature such modern and contemporary artists such as Andy Goldsworthy (clay globe below), Keith Haring and Jean-Michael Basquait. No photography is allowed inside any of the galleries, which sets the tone for allowing visitors to experience the works quietly and privately. It was something pretty special.

The grounds outside were also amazing. One of our favorite spots was an outdoor installation called nature which features sounds inside of forest, outside noise, the clamor of people and war, culminating in a lengthy meditation of Gregorian Chant

As an aside, the museum also featured one of the most beautiful public cafés we’ve ever visited. It was a stunning visit start to finish. 💜

The Glenstone is a fascinating FREE museum in Potomac, Maryland funded by billionaires as their way of giving back to the world. Here's why you should visit:

1) Art: They celebrate art, design, and nature by creating several buildings of unique, post-World War II art and an estate of art out in nature you can explore and stumble upon. Photography and phones are discouraged so you can truly connect with the art.

2) Design: Everything is simple and beautiful from the buildings themselves to the staff uniforms. It's all so nice.

3) Exploration: Spend hours here getting lost and exploring the woods, boardwalk, and all the art found outside.

4) Food: The cafe is gorgeous and an award-winning chef whips up locally sourced meals.

The museum is free, but you need a ticket you can get from their website. Parking is free, which is good because really the only way there is via car.

The architecture and grounds of this property is beyond words. If you like contemporary art and architecture you should visit. The docents on staff are incredible. They let you take in the experience from the sidelines. Engage them because they are so knowledgeable. I plan to return often.

Terribly overrated. Buildings look like bunkers strewn over a former pasture, supposedly to get the visitor in touch with nature. Contemporary art is not for everyone, and most of the collection verges on the nihilistic. Sorry Glenstone, but you're a nothingburger. Even five minutes in the much more accessible National Gallery of Art in downtown Washington is time better spend than at exurban Glenstone.

Glenstone Museum has been on my bucket list for several years, and I had never been successful in getting tickets. Today, however, was my lucky day. The museum is thoughtfully designed, melding the art, architecture and landscape into a stunning whole. Prepare for an unhurried visit through one couple's artistic vision. The employees are also eager to share their love for modern art and are happy to answer questions. This is a museum I look forward to revisiting in different seasons. On this crisp and cold day, the snow crunched under our feet as we made our way across the grounds. I can't wait to see Glenstone again in spring or fall.

If you've read the 1- and 2-star reviews, you'll see that they're from people who generally had zero clue what they were getting into, so the #1 tip is to check the Glenstone website before you go. The art is modern (that's starting in the 1950s, Pollack, de Kooning, etc.) going through the 1980s (Warhol, Haring, Fischl) and into contemporary (that's NOW) art and the buildings are also contemporary. Those who don't like those forms should go with an open mind or don't go at all or hope that the three Matisse sculptures are on display. There are some Japanese artists, too, which is refreshing.

GAINING ADMISSION: As of June 2019, the free tickets are released periodically at 10 AM on the nose (check the website for dates) a couple of months out (e.g., June was released in March) so have your preferred dates and times. Ideally, choose mornings so that you'll have enough time. The tickets go within 5 minutes. DO NOT DESPAIR! There are three other options. 1) You can walk up in the afternoon. They will assess the visitor volume and may let you in. At 3 PM on a gorgeous Saturday in June, the couple in front of us made it in. 2) If you take the Montgomery County Ride On Bus 301 (search for "montgomery county ride on bus to glenstone" for a schedule) from the Rockville Metro station, they will let you in immediately. 3) There are supposedly same-day tickets via the website.

OTHER LOGISTICS:
- Open Thursday to Sunday, 10 AM - 5 PM
- No children under 12
- No photography in the Pavillions.
- The Michael Heizer installation that's in the building and the Andy Goldsworthy outside close at 4 PM. Plan accordingly.
- You can check what's on view on their website. One earlier review here complained that Glenstone only owned one piece per artist. That's not true; for example, they own at least a dozen Brice Mardens and several Jackson Pollacks. They just don't display them.
- If you don't understand the art, if it offends you or confuses you, talk to the people in the rooms. There aren't any descriptive tags or headsets. That way you can ask questions, plus they have stories.
- If you didn't bring a hat, they have umbrellas to shield you from the sun.
- Wear comfortable shoes that can go off-road and see the gorgeous landscaping.

The best thing about Glenstone is that there's a lot of room for the pieces--and the visitors--to breathe. It may feel sparse, but that's to allow your eyes, mind, and feet a chance to rest so that you'll enjoy it even more.

You have to make a reservation. Then you get a docent conducted tour. The guides are incredible. They can tell you about the art and the architecture and even the plants.

Glenstone is more of an experience than I thought it would be. It sounded like it was just some outdoor sculptures and a few small indoor pieces. But I spent nearly three hours here. There's a 1.7 mile loop trail that passes a half dozen monumental outdoor sculptures and installations. Then a small museum building with one gallery. Finally, the "pavilions," a largely subterranean series of nearly hidden galleries. All of it is integrated into the natural setting, including an artificial pond in the center of the pavilions.

The art is largely inscrutable. There's no explanatory signage or QR codes. If you encounter a docent (bizarrely dressed in all gray like Maoist cultural revolutionaries), he/she/"they" will provide information about a piece, but otherwise, the feeling was definitely "if you have to ask, you aren't cultured enough to understand it." There are also some absurd museum rules, such as galleries that only allow a handful of people in at a time - one is seemingly for art preservation purposes (though the art is just some wood sculptures) and another for safety (?) as it's a pit with steel beams in it and apparently they need one chaperone per guest to keep grown adults from falling in (no children are allowed at Glenstone). Most of the time, my reaction was (a) "cool!"; (b) "I don't get it"; (c) "is this supposed to be art?"

If you give up on trying to understand the art, Glenstone is also a nice place to walk around or sit with a view of the verdant scenery and installations.

Tickets are free but supply is limited (there are apparently some quasi-secret ways to get same day tickets), so you definitely feel like an "insider" when you finally reserve tickets and make it out here.

I have only visited this museum once, but it made an indelible impression on me and I find myself telling others about it and urging them to visit. Situated among landscape and trails, using the natural elements to enhance the art placed among them expands your appreciation of the installations. Similarly, the buildings let in the natural light and lead you through a variety of spaces, none crowded, where the pieces expand in your imagination. Having very well informed docents rather than security oriented guards in each room also makes for a kinder, gentler experience.
Though there were some artists and pieces which did not enthrall me, the overall experience was one of immersion in a creative and integrative atmosphere.

The architecture is unique and very impressive. The Gallery with the paintings etc was closed (too bad) and Pavilions with mostly “Rooms” of sculpture was at times a little strange (do the needed wait to see Room 5). We were not able to do the Woodland Trail (maybe a mile walk) to see most of the exterior sculpture. Note that if needed there is a shuttle service from the Arrival Hall to the Pavilions. No pictures allowed in any of the interior spaces.

As others have noted, we felt privileged to experience Glenstone. Emily (and Mitch) Rales have assembled a memorable collection of contemporary, 20th century artwork in one of the most inviting and beautiful settings you will take in.

The new 50,000 sqft Pavilion is a sleek architectural marvel encapsulating a tremendous water garden. This alone is worth the trip, but there is much, much more. The original art gallery south of the Pavilion has a rotating exhibit that features a guest artist (closed for staging during our visit). You will want to budget time to follow the winding paths around the museum grounds to one-of-a-kind sculptures and through undulating natural landscapes.

Ah...makes me happy just recounting our experience.

Budget about 4 hours to see it all.

We had a great outdoor visit to Glenstone on a mid-June Thursday. We walked the trails, admired the outside art in its ever-changing natural environment, and noticed how the meadows are progressing. It was a warm (low 80s) and humid, but a gentle breeze made it comfortable.

Glenstone reopened on June 4, but only for outdoor visits. They are not accommodating walk-ups or Ride On bus passengers, and you have to get (free) tickets in advance, which are released at 10:00am every Monday morning in two-week increments.

We were asked to always wear mask and stay at least six feet apart from different households/arrival groups. There are no amenities, including bathrooms, and certain paths are one-way only. For us, the visit was similar to a hike or walk in the park, bringing water and keeping an eye on the weather. Alas, we were lucky and the forecasted rain did not materialize.

Glenstone was a key stop for us, similar to Storm King or Getty Los Angeles. As architecture buffs and art fiends we were not disappointed. It’s 45 minutes or so outside metro DC, nestled in a lush suburban setting - 300 acres or so of gorgeous landscaped gardens populated with some choice pieces of installation art. We spent a full afternoon, saw most all of the works and had a nice light lunch to boot.

The architecture stood out for me - Thomas Pfifer at his best and rivaling the great Modern museums by Tadao Ando on Naoshima Island, Japan. The residential buildings and the overall site scheme was by Charles Gwathemy, who sadly passed away before he could see his concept completed.
If you love modern architecture, modern art and exquisite ‘natural’ gardens, you don’t want to miss this. Oh, and it’s free at all times.
Advance tickets are recommended (and hard to come by without 4-6 months notice) but same-day walk-ins are usually allowed after 12:30 each day.
It’s a great art and nature experience, just 45 minutes outside metro DC.
Joe-Bob sez: check it out.

First of all there is no entrance fee, you just have to call and reserve for timed admissions. The grounds are home to amazing sculptures and lovely manicured grounds. All employees are so polite and helpful, you cannot believe it. All visitors must take a guided tour, the outdoors are beautiful and there are these unusual sculptures housed in stone sheds, cannot remember the artists (a few names coming to mind are Ellsworth Kelly, Jeff Koons, Charles Ray, Julian Schnabel), but they impressed me. The day we went it was around 100 F and humid. We were provided big umbrellas and as much water as we wanted. The sculptures are designed to be interactive with visitors, you can play with your senses and balance within or around the exhibits.
The interior exhibit was: Fred Sandback: Light, Space, Facts. Again, a most unusual set of works playing with the space perceptions our minds register. I enjoyed the exhibits very much as I enjoy playful and curious experiences.

Contemporary art, beautiful gallery, great experience. The gallery does not want people writing about it; go experience it, both the grounds and the works of art.

Glenstone is an amazing place! The setting is beautiful and the layout of the new space is quite wonderful

A very thoughtfully curated collection with the luxury of space allowing the art to breathe. It almost has the feel of a tasteful mausoleum complex - but the art breathes life into the campus. Worth visits during the different seasons. Guides, some of the most competent I've encountered, are splendidly familiar with the works and the artists.

My friends and I were given a tour of the Glenstone Museum prior to the official opening in October.
Glenstone is a private museum that will be open to the public by appointment only. The rationale is that by limiting the daily visits, the individual experience will be so much better.
The museum is set on about 240 rural acres. The art is modern post WW II and it all belongs to a private foundation. Several buildings were built just to house and store the art. The outdoor sculptures are simply amazing.
Check the website for opening information and try to get there.

I recently visited Glenstone for the first time. It's an impressive undertaking: expansive grounds with beautiful contemporary architecture and sculptures by major artists. Visiting Glenstone requires a good bit of planning: advance reservations are strongly advised, and weather is a factor (on the day of my visit, it was quite warm -- not great for walking around the sculptures).

I'll likely return in the Fall, when the weather will be cooler and a new pavilion will be open. Also, the museum's cafe and restaurant a scheduled to open in October.

As one of the other reviewers noted, the museum isn't kid-friendly. The staff is rightly protective of the outdoor sculptures -- no touching. Inside, you'll have to check your bag in a (free) locker -- again, they're concerned about accidental damage to the art works.

Because the museum limits admission numbers, you get a far more unhurried and relaxing visit than is typical in a museum.

Extraordinary setting for an enormous collection of modern art. The buildings and grounds are themselves artworks. You have to plan well in advance to go, but there is no cost. I've been twice and still have not taken it all in.

Driving (or taking a bus) to Glenstone takes visitors to one of the wealthiest suburbs of the Washington, D.C. area, quite far from the city and located among the unspoiled rolling hills of Potomac, Maryland. On your way to Glenstone, be sure to observe the over-the-top grandiose mansions echoing those of European royalty now filling what was once a distant and sparsely-populated suburb.
The museum itself is surprising, essentially appearing out of nowhere on land once used grounds for a fox-hunting club. Entry is free, but timed registration is required to maintain the serene atmosphere of the outdoor walkways among several pavilions and enormous sculptures... as well as to prevent overcrowding in the indoor art galleries.
The museum provides very little textual description of the sculptures, and even the galleries display minimal text... apparently to encourage visitors to form their own opinions about the art rather than being steered by aficionados. But there are plenty of very knowledgeable docent staff who eagerly provide further context if they are asked.
The beauty and value of the modern art displayed at Glenstone is, of course, in the eye of the beholder, but the museum's design itself is well worth the visit. Everything about the museum is contemporary design, and architecture lovers will appreciate the layout and scale of the pavilions and galleries, the many details of their construction and design, and the overall layout of the walkways and hillside settings which afford beautiful vistas even apart from the art itself.
Basic guidance is provided by staff in the "Arrival Hall," adjacent to three small parking areas. There is a small cafe on the premises, with vistas of its own. Visitors must navigate gravel or asphalt walkways, a long outdoor gravel,stone and wood stairway, and wooden boardwalks (some of them without rails, raised above the woodland floor). Accessibility to many of the main exhibition areas is enhanced by on-demand jitney service to key locations. The galleries are all wheelchair accessible.
Glenstone is a very worthwhile experience if you like modern art and architecture. Because of its location distant from the city and its outdoor environment, allow plenty of time for your trip. While it's possible to "do" the museum in a half day, you'll feel much less rushed and will experience more of the calming atmosphere if you give your visit more time. Planning your trip to include a lunch or dinner stop in the small commercial center of Potomac makes for a very pleasant excursion.

before we were even able to see the museum, me and my boyfriend were calling all day since they had opened and no one picked up the phone ONCE! all we had was a few questions before our visit. They show terrible customer service.

Even if you don't care for modern art, you cannot help but be amazed at this minimalist compound nestled in forest. The outdoor sculptures and pathways allow visitors to wend their way through fields given over to natural wild flowers and younger trees. The buildings housing the art are beautiful and spare, allowing the landscape to be part of the artwork. One of our docents encouraged us to view the art in context to the space, good advice for most museums. There are some standouts in the collection, particularly the blooming Jeff Koons' "Split-Rocker". We were lucky to have a beautiful fall day for our visit. Tip: you must book the free tickets on the first day of the month 2 months in advance of your visit.

Personally I think it is a fantastic museum & concept. Beautifully settled in the engineered landscape you can experience contemporary and modern art like nowhere else. I admit modern art is not always mine and I still struggle often with it, however here you can immerse yourself in it. Especially the numerous guides can provide insightful information and can guide your inspiration if you choose to let them (that is for the artwork within the buildings/pavillions. The immense grounds of the museum house a number of important installations. Yes expect to walk and yes I think the landscape is going to be even more impressive in a couple of years. Also the museum is free (!) however, getting a ticket is tricky as you will need to register 3mths before. No need for umbrellas as they are provided at each site and in general don't bring too much baggage as you will need to leave everything in lockers when inside the pavillion (even water bottles). All in all I can only applaud the creators of the museum it is a fascinating place which I would highly recommend to anyone.

Reserved tickets in April for June 29. The collaboration among the Rales, architects, and landscape architects translates into a serene rich experience. With visitors limited and docents informed and helpful, art can be appreciated. After a brief orientation, one strolls (if sunny with an umbrella) to the Pavillon for a diverse experience and exposure to art. I simply cannot overstate how stunning it is and though I had previewed the collection ahead, I had no idea of the effect in person. One must simply go there. I learned about Pippilotti Rist and M Heizer. Find your favorite and be grateful for the Rales for their gift to all of us.---I do plan to return because it was just to hot to enjoy the outside landscapes and sculptures.

Art should be joyful - at Glenstone it is. Set in the countryside near Washington DC, Glenstone is a spectacular privately endowed museum. Brilliant Architecture, brilliantly curated art, enthusiastic staff, Glenstone is a fabulous way to enjoy the most important artists and art of the last 60 years. Nothing feels crowded. Guest numbers are strictly limited. Thematically arranged, critical masterpieces from each artist are given enough space to allow real engagement with the work. Staff are available in each gallery to engage with guests, answering questions and discussing the art. This museum is a piece of modern art.

I've lived about an hour from this amazing place for years before it was established and can't believe today was my first visit. Simple put, if you're into post-WWII art, don't miss it. The art and architecture is made to fit in the landscape, which is meadows and forests. There are docents in every gallery to discuss the artwork with you if you want. It's perfect place to get your art fix during a pandemic since so much is outside, and they limit the number of people at the museum. (And, everyone I saw was good about masking. Such a plus.) In the Before Times, I was a fairly regular art museum goer, and rarely have I had the kind of superlative experience I had a Glenstone. This first visit definitely won't be my last.

Located on Glen Road in Potomac, Maryland, it is an unusual spot for a museum. Once inside the grounds, the land is expansive. the building and exhibits are interesting.

We loved our afternoon spent at Glenstone! It felt like Steve Jobs had designed the whole place because it was so sleek and well thought out. The guides were engaging and helpful. The landscaping was very natural, the art was funky, and the cafe was top notch, but inexpensive! What a treat!

If art leads to culture and new formations of society we are in trouble. After a brief indoctrination by the proles (docents/security guards) in their commie drab, gray tunics, we ventured through a "naturalized" field on a gravel path. Really this looked like an unkempt mess of weeds. The fact that it is unmown probably gives some tree-hugger the feels because they have been duped into believing the planet may survive another day. The "art" displays are mostly meaningless abstractions. There is nothing here to take seriously even though that is what is expected of you. You should laugh at the absurdity that the exhibits, the architecture, and the unmanicured fields are intended to showcase creativity. They do not. If you still want to see Glenstone, make sure that the weather forecast is agreeable and you are wearing comfortable shoes as you will walk several miles, most of it outdoors on gravel paths. Google Lens is helpful for identifying unfamiliar plants. Even though this museum is free, you will pay too much to see it.

We visited on a perfect afternoon and had a splendid time. Loved every inch of it--the landscape, the docents, the cafe, the architecture, and of course the thought-provoking art. Incredible attention to detail. Not a big fan of billionaires, but I'm glad this one chose to share this amazing vision with the public.

Bizarre museum. Very futuristic, with the employees all dressed in gray and the buildings all gray. Didn't understand one piece we saw, but it was a bit mind expanding. Why would an artist put 4 bedframes in a room by themselves? And another artist place four desks in a room?

An AMAZING place! Approximately 300 acres of beautiful landscape and fabulous artwork/sculptures! You are encouraged to ask the staff about the exhibits.

There is a detailed book on the artists/artwork for $12 at their store.

Wear comfortable shoes - lots of walking - about 4 miles took 2 hours (and we didn't even get to see it all)!! All the flowers were in bloom. Beautiful!

You can reserve a free ticket 2 months in advance or take RideOn bus #301 (with a metro card for $2) at Travillah/Glen right into the museum!

Free lockers available in the Pavillions for purses, bags, water bottles, etc. Cash is not accepted at the cafes. Some exhibits/cafe close early so check times. Ages 12 and up only.

Would love to see a KOI pond and natural wooden swings/rockers on the grounds (maybe next time)!

I was surprised to hear about the Glenstone Museum as I knew nothing about it. I loved the architecture--the walls, the floor, the benches, the water garden and the art placement. I read that some thought it was empty but I liked it and also you can collect more. Loved the terrazzo floors and the walls. I was not prepared for the walking you need to do. Be sure and wear walking shoes and a hat as you will walk about a mile outside--maybe more. It is very serene and the casual planting is wonderful.. It is a great way to enjoy art and nature.

It's so unique and such great way to actual experience art. The docents are knowledgeable and the owners who share this collection are so generous. I want to go back as the seasons change.

This is a different kind of art museum presenting modern art in a truly modern architectural and rural setting. The exhibits are in different buildings and to appreciate the whole collection, one needs some physical ability (accommodations appear available for some, but not all, like the woodland trail, Boardwalk, and the sounds in the forest). The most notable parts of the collection appear early in the pavilions, with Warhol, Rothko, Jasper Johns, Jackson Pollack, Calder, de Kooning. No pictures inside the exhibits, thus can provide outside shots only. Have to remove coats and backpacks and lock in cabinets inside the pavilions. They warn about certain sounds in the forest immersion because war sounds might trigger. Plenty of room to view the art pieces. The weather was cool when we visited and walked around; not sure what would be like in colder snowy or hot humid weather. Online reservations are a must.

Glenstone is a treasure-and the docents are one of the best things about it. Contemporary art can seem a bit alienating (why is this even art?) to those of us without art history backgrounds but the docents are there to help you make sense of what you are seeing and experiencing: They are exceptionally knowledgeable, approachable and eager to share. I regularly approach them to lean more about a piece, (and asked many “dumb questions”) and been awed and entranced by their insight, breadth and depth of knowledge. My guests always come away feeling like VIPs who just got the insiders’ tour. It’s part of what makes Glenstone unique and worth coming back to over and over.

Today I had the pleasure of visiting Glenstone Museum and grounds. I had never heard of this place until a friend invited me to join her. The post WWII art is scattered around the property and in an exhibit hall... soon to be joined by a second exhibit area in October. The docents seem to love their jobs and ask provocative questions which stimulate conversation and encourage thinking about the artwork. I now have a new destination when friends come from out of town and a place for retreat and meditation when I want some alone time. What a wonderful experience it was. Thanks Lil.

Experience original art up close without crowds. Walking the grounds was awesome.
You need a reservation! The museum is free. The audio art in the woods was very moving. The grounds are beautiful.

With its recently inaugurated expansion, Glenstone joins the Guggenheim in Bilbao, Spain, and the Crystal Bridges Museum in Benton, Arkansas, as world-class museums of modern art, housed in wonderful architecture, and located in dramatic settings. Definitely recommended! Though free, tickets are hard to come by, thanks in part to recent articles in the New York Times, Washington Post, and Wall Street Journal praising the expanded Glenstone Museum.

The Glenstone collection is focused on post-WWII art, and it is world class. Often, an entire room or atrium is dedicated to a single work, enabling one to focus, savor, ponder, and explore. Beautifully designed, often with magnificent views of a waterlily pond or carefully curated meadows, hallways are devoid of adornment. This providing a pleasant transition that helps clear the mind before the next exhibit. Most rooms are magically bathed in natural light, which deepens the ability to explore in depth the range of tonality and texture of each work.

Signage is minimalist (author, title, date, if any), but docents stand by unobtrusively, yet eager to answer questions or to engage in a conversation to help visitors develop their own interpretation of each work. This is what makes this museum unique. We visited the stand alone “Gallery,” with its collection of works by Louise Joséphine Bourgeois. We had seen her work at MOMA, and we were not impressed. We expected to breeze through, but we found Glenstone’s selection of her works much more interesting and compelling than MOMA’s significantly larger exhibit. Moreover, our brief conversations with the docents helped us contextualize and access her work in a way that completely changed our views on her work.

Our previous three or four visits to Glenstone over the last decade had taken place mostly in winter. So, we were delighted by the wonderful early-October weather that welcomed us to explore the outside sculptures spread over 230 acres of trails, meadows, and woods. Throughout our five-hour visit there wasn’t a moment when we wouldn’t see a something beautiful everywhere we turned.

Glenstone now has a delightful Café with a minimalist, yet tasty, and reasonably-priced menu. I had the Roast Beef Sandwich and my wife had the Cobb Salad, and both were light, delicious, and satisfying. There is a bookstore at the Arrival Hall with an excellent selection of books on artists and architects, and on landscaping, relevant to Glenstone. We bought the Glenstone Field Guide, a very helpful book that will help us savor this visit and prepare for the next one. But, I would recommend against using the guide during the visit. Instead, prepare yourself for the visit by visiting the website, reading articles about Glenstone in major newspapers, and open your mind to what you are about to see.

CAVEAT and the reference to the play “Hamilton”: Glenstone provided a wonderful and memorable afternoon, and I can’t wait to get back. And, here’s the catch. We were able to get free tickets via the website for the first day after the expansion. But, even before we showed up, my wife checked again, and all tickets were gone through December. That means that we will have to wait four more weeks before we can check on the availability of tickets for the next visit, in January!

Set in the small, rolling hills of Potomac, Glenstone Museum is a well hidden gem. Its foundation is a private collection that soon outgrew its "home" and necessitated larger space that has become a museum. Glenstone is growing with another building on the horizon that will make even more of the collection available to the public. The current art exhibit comes from Peter Fischli and David Weiss with an intriguing and amusing display of key moments in modern history using the media of rubber and unfired clay. These sculptures lead back into a room with interesting sculpture captured by the camera, past a fully furnished room portraying an artist's studio into a photographic exhibit and slide show. The rather lengthy tour does not wear the visitor out but only entices him to search for the next creative expressions. The grounds feature some delightfully large and interesting sculptures, including Richard Serra's Sylvester, a large maze in the shape of two concentric circles leading to a central opening. The docents, all well trained in the field of art, meet visitors in the parking lot and act as personal guides. Accessible only by reservation, Glenstone is delightful surprise!

Glenstone fabulous as always. Made mistake of trying cafe however. Bland expensive food in a fabulous building, what a letdown. "Highlight" a miniature (truly) fairly tasteless pecan tarte for $7.50.

The weather was perfect for a walk on the extensive grounds, to view the outdoor sculptures. We also enjoyed dining in the outdoor patio cafe, which had excellent sandwiches, and some of the best service I've ever experienced. The servers can't keep tips, they all get donated to the Foundation. I'm not a huge modern art fan, but I still had a great time. Be sure to walk down by the creek.

Glenstone opened in 2009 and recently expanded. It's about 30 miles outside of DC and well worth the drive. Reservations are hard to obtain (go on line the first Monday of the month and look ahead 2-3 months although we were able to get a reservation at the last minute). It's only open Thursday-Sunday; weekends are reserved quickly. You should be able to walk although wheelchairs are available. Signage indicates the length of time to walk e.g. 11 minutes from the parking lot to the Pavillion (main building). There are multiple paths you can wander, leading to outdoor installations such as Jeff Koon's Half Rocker. The owners collect modern art, many pieces from well-known artists like Rothko, Warhol, Rauschenberg, Giacometti. There are guides in each gallery and they are very knowledgeable. There is an interior garden, featuring gorgeous plantings in water, visible from inside the museum. The glass walls are from Germany and are so clear you'd almost walk into them. The cafe has a limited menu but the food is good and includes vegan options (black bean burger, greens and grains bowl). If you've "done" the DC area and are looking for a new option, please consider Glenstone.

The grounds are beautiful. The docents are knowledgeable. The sculptures on the grounds are interesting and thought provoking. That said, I came to see the collection as advertised on the website: "The collection concentrates on critical moments in an artist’s career. Artists represented include John Baldessari, Joseph Beuys, Mel Bochner, Alighiero e Boetti, Dan Flavin, Willem de Kooning, Peter Fischli and David Weiss, Katharina Fritsch, Robert Gober, Felix Gonzalez-Torres, David Hammons, Eva Hesse, Jasper Johns, On Kawara, Ellsworth Kelly, Barbara Kruger, Brice Marden, Bruce Nauman, Sigmar Polke, Jackson Pollock, Robert Rauschenberg, Charles Ray, Fred Sandback, Richard Serra, Cy Twombly, and Jeff Wall. Glenstone sites large-scale sculptures from the collection in long-term outdoor installations and presents rotating selections of other works through temporary exhibitions in its galleries, focusing on a theme or an individual artist." You will NOT see a Pollock or a De Kooning. They are in the collection but not on display. The indoor gallery features the work of one artist. Currently, the featured works are those of Fred Sandback alone. This should be made clear on the website. A larger museum is being built onsite to (hopefully) display the remaining works in the collection in 2018. This gallery has potential. Wait until 2018 to visit.

Have you ever toured a private home or castle in Europe that is still owned by the family? There is a creepy quality to it where you feel like you aren't really supposed to be there. The Glenstone has that feeling, as if we were visitors that were not really wanted but were put up with. TeresaWDC in her review said it was "pretentious" and that was our first reaction. Also way to precious; the parking lot even had smooth rocks to separate the parking spots. Yes, it's a very beautiful campus but the creators, Mitchell and Emily Rales have created a museum for themselves, not for visitors.

We decided to have lunch before we went in at "our appointed time". We called ahead to see if we could have something to eat in the cafe before our 1:30 museum appointment. When I called, the person on the line said we could, but only because they were taking some walk-ins, otherwise, no.

Lunch could have been delicious. How much can you do to a grilled cheese sandwich? Well, it turns out you can do absolutely nothing besides slapping some cheese on white bread and loading the plate with lays potato chips. My tomato soup was scalding hot but tasteless. My daughter had their "famous muffin", which turned out to be a small, cold mini-muffin served on a plate way too large with some jam spooned on the side. She said her vegetable soup was fresh and good. The cafe space is well-light and long tables allow everyone to eat family style.

We then went into the main pavillion and were greeted by people in gray clothes with no name tags. We were told no photographs unless "there's sky above our heads". We were told to lock up our purses in nearby lockers and leave our coats on coat rack. We were cold and said we'd keep our coats. I won't get into it the long discussion, but they offered us Glenstone coats when we got downstairs if we were cold. Honestly, we were waiting for them to take our shoes!

The Pavilion is beautiful but very empty. There are a few rooms with very fine art, like Rothko and Pollack but instead of making it visitor-friendly by educating the visitor with good signage, you had to ask a grey-clad guide to explain it to you. There was very small signage as you walked into the gallery rooms, but we felt very disconnected from the art. I was impressed with how many women artists they exhibited and artists of color. That was a plus.

The Glenstone seemed to have been built as a shrine to the art, not to capture our imaginations and engage visitors in a conversation. The most entertaining portion of the day was the drive out to the museum. We saw gigantic, ostentatious "homes" right out of the Housewives of the Potomac.

I guess you can say I don't recommend this museum. And it's definitely not appropriate for families with young children. In fact, they may have a rule about that. They do about everything else. We left feeling the best thing about the Glenstone is that it is free.

Visited Glenstone and found the exterior architecture to look like a prison. I did not like the ultra modern buildings, and found them to be very cold and austere inside and out. Perhaps in the spring or summer it would be more appealing. I especially did not like the way the identifying "plaques" were displayed before you even enter a gallery. Once you see the art, you need to go back to the plaque to identify the artist and title unless you can recall. I found the docents to be very unapproachable. Although we visit many museums locally and while travelling, we were "corrected" more than once for getting too close to the art. Very off-putting.

The most peaceful, serene, zen place I think I have ever experienced. The walk from the parking lot to the Pavilions is like the path to enlightenment - you leave one world and enter another. The outdoor artwork is placed at a distance requiring you to travel over the grounds experiencing art in a way that I did not know was possible. I arrived at 11:30 and left around 4:00 - I could have spent more time. I'd call it the Getty of the east but the Getty was a more shock and awe experience while Glenstone was about the subtleties. Don't miss the boardwalk, the 1,000 years in the woods. Dress warmly.

After trying for a couple of years to get a reservation, we found out that you can get guaranteed entrance by arriving on the Montgomery County ride-on bus no. 301. We took the bus from stop no. 6 at Tobyville about 5 minutes from the museum. You can also get it at stop no.5 at the strip mall across from the entrance road to the museum. The bus is usually $2 but has been free during the pandemic. I thoroughly recommend a visit. The beautiful fall weather was perfect for strolling the lovely grounds and viewing some interesting sculptures and art pieces. The buildings themselves are art made from stone quarried in the area. The pavilion on the grounds houses some of the other art and provides a gorgeous view of the outdoor garden. Note: No children under 12.

I love and appreciate the existence and the concept of Glenstone museum. It is an exceptional exhibition place where four elements of architecture, nature, artwork, and visitor are equally present and all have a voice. No one is dominant over the other. They all live and breathe along and within one another. One would soon experience the transition of hesitancy to absorption of the environment. It is an amazing experience!

The guides are very well trained and give great tours.
Lovely and interesting architecture and grounds as well as art.
Worth a journey.

I enjoyed this outdoor museum that provides a walking trail. There are benches, water, a cafe and plenty of nature to enjoy some modern art. I would suggest online reservations, a water bottle, and a pair of comfortable trail shoes.

Unfortunately, I had many unpleasant experiences at Glenstone yesterday, 10/16/25. I have been here many times and loved it but yesterday, very little went right. First, the bus was so full the driver could not take everyone on the bus. So we had a long discussion about who would be allowed on her bus and others go left behind. She tried to work out a plan with them to get on her bus at a later time. Not sure how that went.
Next, at the welcome/ check in building, the person behind the desk, not helping anyone at the time, told us to check in with a person on the side who already had about 12 people she was checking in, but she was also chatting and not really checking anyone on. The person behind the desk finally checked us in but didn't want to.
Also, one of the three Goldsworthy art houses which was supposed to be opened during the time they are opened was not because of lack of staffing. So we only saw two of them.
Last, we ate at the sit down restaurant, the waiter got our order wrong and only brought out the right food for two out of three orders. We had to wait a long time to get our last order and when I paid the bill the bill included 18 1/2% tip which I paid but felt wasn't deserved. The food was good, though, we had nice walks around the property and we were able to enter the other art galleries.

Glenstone has a rotating collection of contemporary art. Each room is staffed by a very knowledgeable docent who can help you decipher the meaning/history of the artist. If you just want to wander, you can, but I recommend starting a conversation with a docent. You won't regret it.

In addition to the gallery itself, theres an outdoor sculpture garden. if it's been rainy, be sure to where outdoor shoes.

Got my tickets online on April 1. Was able to chose any day in June, and luckily, it turned out to be a perfect day, weather-wise. What you get is contemporary art and modern architecture in a lovely natural setting. The employees in the galleries wear gray garb that seemed almost dystopian within the stark spaces and weird sculptures. No photography allowed except outside. We thought the place was intriguing, but one visit is enough. I prefer Grounds for Sculpture in New Jersey. Check out the CBS Sunday Morning piece about the place on You Tube.

The grounds are very nice, and the staff is friendly. In my view the good news about Glenstone ends there.
I found the bulk of the “artworks” at this facility to be pretentious and uninspiring, lending proof to Andy Warhol’s observation that art is what you can get away with. Here are a few practical tips if you have any hope of enjoying Glenstone:
1. Avoid the hot weather. Trails are nice, but no pleasure in the midday heat. Visit in the morning on a cool day.
2. There are white umbrellas available to shield from the sun. Borrow one, they’re free. Stay hydrated and wear sunscreen.
3. The Cafe food is mediocre, quite overpriced, and we waited 35 minutes only to share a table with others (avoid the peak lunchtime). I had a lettuce wedge salad with a little ranch dressing sprinkled on it, and a piece of dried out chicken on top. For that, I paid $22 plus tax and a mandatory 18% gratuity added to every check. You’re better off at the Patio where the pastries and coffee were good. Better still, go in the morning and find lunch elsewhere. (Full disclosure: 2 of the 4 people in my party enjoyed their food.)
The great mystery to me is how hard it is to get tickets — must be because they’re free.

A generous gift to community.
Free, with an option to get there by public transportation.
Access by reservation.

A winter visit to Glenstone Museum tucked in the wilds of Montgomery County, MD. The museum property is visually appealing and stunning. If you are a big fan of minimalist design, the Glenstone is just the place for you. This large collection is spread over a large rural property. The building design is consistent throughout. In a minimalist grey design on all of the buildings, the design carries throughout right down to the uniforms worn by the docents. The artwork is interesting, displayed in an appealing fashion in these beautiful buildings.
My problem with our visit was the lack of adequate, informative signage guiding the visitor throughout the different gallery buildings. The signage was the bare minimum, sometimes, you had to look for the descriptive tags that indicated information that you were looking at. At the end of our visit, we had a conversation with one of the docents in the room. She provided all of the contexts we could have ever wanted. Without this context, I wonder how much was missed by the most casual visitor. This is a missed opportunity, I hope the museum staff does something about it.

I live locally and have visited Glenstone several times. Take time to walk the trails outside if you are able to, and enjoy the landscapes and views. I love some of the outdoor sculptures and the boardwalk through the wetlands. I am trying to be open-minded about the art and learn something despite being inclined to wonder if some of the artists are playing a joke on the art world. Dress warmly if the weather is chilly and wear a hat and sunscreen if you visit in the summer. Admission is free. The fruit of corporate wealth at its best. Thank you to the family. Don't take children younger than 13. They are not allowed and the rule is enforced.

If you are a fan of modern art, then this will be of interest to you. Glenstone was conceived and built by local boy made good billionaire, Mitchell Rales and his wife Emily. The grounds are spectacular and the museum encompasses both, indoor and outdoor displays. It's hard to get tickets (free!) to Glenstone since they can only be secured online. However, if you take a special shuttle from the Rockville metro, you are assured entry. Call or email them for more information!

Hard to believe someone would be so enamored of abstract expressionist / abstract impressionist / found-materials-“art”. You know... the type of stuff where the “artist” nails up broken bits of construction debris or household junk, paints it white, and people with graduate degrees from eastern universities fawn over it. An old urinal signed by the artist and displayed as if it were a sculpture. Or bicycle wheel nailed to a kitchen stool. Or a big canvas painted entirely white that people stare at as if it were a michaelangelo. This place is like a time capsule homage to the jokes you have heard about “modern” art of the 50s and 60s such as “it looks like a 4 year old painted it.” Or New Yorker cartoons of people admiring the discarded packing material, unable to tell which was the “art” and which was the broken shipping container.
Taken all together with the monumental stark sepulchral architecture and beautiful outdoor grounds across which one must make long walks to see the pavilions, it is a wonderfully moving and exasperating and museum experience.

Glenstone provides a revelatory experience and an opportunity to view modern art works of the highest quality. For days after each visit, I ruminate on the ways the visit opened my eyes to new facets of art. Set in a magnificently sculptured landscape and housed in exquisitely designed galleries, the Glenstone Museum is becoming better known among modern art lovers since the publication of articles in the Wall Street Journal and other prominent media. Off the beaten path for Washington, DC tourists, it is a short drive outside the beltway, just north of Potomac, Maryland, via River Road, past bucolic suburban neighborhoods in Maryland’s former fox-hunting territory.

Though the entrance is free, it requires tickets obtainable via the Glenstone website. The careful management of attendance allows for a semi-private visit, in which you are able to explore each work in solitude and without being rushed. The visit usually begins with a walk around the grounds to better appreciate the architecture and view magnificent sculptures by Richard Serra, Jeff Koons, Ellsworth Kelly, Tony Smith, etc.

The indoor exhibits are normally focused on one artist, and never more than a few. All works are displayed per the artist’s instructions in a beautiful, modern building. Indoors, you will see few guides scattered throughout the building. So as not to interfere with your exploration of the art works or interfere with your exploration, the guides are encouraged to follow your lead. So, feel free to ask about the art, architecture, landscaping, and future plans for the museum. Whenever I find a piece that I can't figure out, I engage the guides in conversation (about the artist, the materials, process, etc.) to gain a new perspective that often helps me gain useful insights on the work.

For some reason, our five visits to Glenstone over the years have taken place during the cold months. We’re now looking forward to returning in May, when there will be a new exhibit, the flowers and meadows will be in bloom, and the trees will be dressed with new coats of leaves.

I went here with family because it was suggested by a friend as something to do while in the area.
I visited on a beautiful day which made the visit pleasant as a walk outside.
Otherwise I was disappointed. Although the trees were nice, the grounds were overgrown with weeds.
The “art” was so minimalist as to be almost nonexistent. Many of the interior rooms were empty. There was nothing here to warm my heart or lift my spirits.
The speech by the man who cares for the lily pad pond was not interesting.
I do not recommend this museum.

Glenstone is like no other art museum I’ve been to in that it so beautifully marries contemporary art (and Imm not a huge fan but this collection rocks), stunningly beautiful architecture with the finest materials and attention to detail that I’ve ever seen in a public space, to the 230 acres of natural environment, woods and trails. I made my second visit here last week and am even more sold on the place. Truly take the time (and tickets are hard to get) and effort to get tickets for Glenstone-one of a kind experience! My favorite was the forest exhibit which I missed on the first go around.

You have to plan ahead to visit here. Other than if you take the local transit bus here till April 2019 you have to try to get your tickets three months ahead of time. No kids, no inside pictures, and lots of walking. Mix of modern art, some of it controversial, remember a private collection. Half a dozen pieces in a room or a room devoted to one piece. Paintings, sculpture, installations, good mix. Two cafes available, one indoors and one mostly outdoors. Still a pleasant visit in the winter. Nice day trip for adults.

This place is an amazing venue for contemporary art. It needs to be seen in all seasons because the grounds are a big part of the experience. The docents are amazing. They don’t spoon feed you, but challenge you to derive your own meaning from the artworks. If you like the Hirshhorn, you will love this place!

I felt privileged to experience this amazing art museum and sculpture park! I viewed it in the heat of summer and now I want to go back to experience the other seasons in this place of surrounding beauty. I definitely recommend this as the sight to see when in the DC area.

During our visit, the emperor’s new clothes came to mind Awful, ridiculous art (that was anything but art) in a breathtaking setting. Some of the outside sculpture was interesting but the rest felt as if the joke were on us. Yuck

Maybe that should be the title of the piece I donate. Anyway...love this place. Was able to get last minute tickets for my second visit. We were there about an hour and a half early and they were able to accommodate us without a wait. Split Rocker is truly a masterpiece to behold from a distance and close up. The natural setting was just as beautiful in early summer (if not more so- few more wild flowers) than it was in the late summer/early fall. Really love the balance the docents provide of interaction when desired and leaving you alone when you just want to take things in (my go to approach).
You need time to really take it all in. The Andy Goldsworthy Clayhouses and Collapse were probably the exception but it's completely understandable once you've toured why you just can't tour yourself (and with the info provided why you wouldn't want to). They weren't open my first visit and were definitely a highlight this time. Much more crowded this time but never really felt so with the exception of part of the time at "FOREST (for a thousand years…)" where there was a full house for part of it. It's a really interesting aural experience I thoroughly enjoy but get that it might not appeal to all for sure but I guess that's true of all the art there (and not there). Alright, getting a bit metaphysical here and on my own nerves so suffice to say really cool place worth the visit- and more for sure since it's free but there I go again....

We have heard about this museum for several years and finally made a reservation and went. Why did we wait so long!!! The museum is in a rural setting that adds to the graciousness of the experience. The exhibits are well presented and the docents very helpful. We will return as exhibits change.