Macau Estrada da Penha｜National Geographic Classic Photo Spot Full Guide

Estrada da Penha’s classic National Geographic photo spot features the old city street as the backdrop and the Grand Lisboa Hotel as the scene, perfectly presenting the collision of Macau’s "old times and new prosperity." It is a must-visit check-in point for photography enthusiasts.
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📍Location: Navigate to near "Meijia Building" or around "Doumen Tongxiang Association."
🚌Public Transport: Take bus No. 17 to "E Xie Alley / Hilltop Hospital Station," then walk straight along Estrada da Penha to reach the spot.
🚶🏻‍♂️Walking Connection: About 15-20 minutes on foot from the Ruins of St. Paul’s or Grand Lisboa, can be included in the Macau Peninsula citywalk route.
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Photography Tips
1️⃣Equipment and Settings: Preferably use a telephoto lens (around 100mm) to compress space and create a strong visual contrast between Grand Lisboa and the old street; mobile phone users can zoom in 2x for similar effects.
2️⃣Best Angle: The photographer stands on the protruding sidewalk on the left side of the street, the model can stand by the green railing opposite; shooting from a low angle looking up enhances the road’s depth and highlights the magical contrast of "local life and skyscrapers."
3️⃣Poses and Candid Shots: Avoid stiff poses; capture dynamic moments like the model crossing the street or looking back while leaning on the railing; wear casual or street-color-coordinated outfits, and the contrast of a qipao with modern architecture adds storytelling.
4️⃣Atmosphere Enhancement: Take continuous shots when vehicles pass by to add motion blur and depth; include local elements like residents and hanging laundry to give the photo a lived-in feel.
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Safety and Prohibitions
🚫The street is narrow and busy with traffic; absolutely no standing on the road for photos, as violating traffic rules may result in fines.
🚫Be mindful of pedestrians and vehicles during shooting, respect the normal life of nearby residents, and avoid causing noise disturbances.

Post by THEODORE BENSON | Oct 13, 2025